The artwork ranges through a variety of mediums; from sculpture, to painting, to sketchbook work, and over a variety of subject matters. These works demonstrate the students own investigations into their personal interests and passions in the world of art.
Toronto Dance Theatre present a mix program of Christopher House’s masterworks
On January 20, Toronto Dance Theatre’s House Mix will celebrate the past, present, and future of Christopher House, one of Canada’s finest choreographers.
Traditional dancers are trained to a degree of obedience, similar to athletes who train in a particular sport. The goal is to perfect the skill and as a result, deliver an exciting and impressive performance for the audience. Contemporary dancers differ slightly in that while perfecting their skills, they’re also developing a sense of play which results in not one performance being the same, similar to sports matches, where anything can happen.
“It’s one of those things that I think really attracts us to sports,” says House. “Decisions are made in the moment based on what comes up and it’s interesting to create a situation with dance in which that happens.”
House says that in the digital world where much of our lives are dominated by technology, it’s a challenge to encourage people to come out and see live theatre. The advantage that contemporary dance has is that there is something intriguing and dynamic about watching people interact with each other in a live setting.
“Contemporary dance celebrates the body and group of people working together, but what is also interesting are the questions that come up that aren’t fixed in the narrative,” says House. He goes on to explain, “If the choreography is really working it’s making you sit forward in your seat with a sense of curiosity of what’s happening and with pleasure in knowing that you’re participating in the making of meaning.”
House Mix is a retrospective look at the works that House is most proud of and are also interesting for the dancers to perform. He is quick to point out that while the pieces are all different, the opening and closing pieces really take physical risks.
“The pieces have complexity, rhythm, and musical changes. The dancers need to know precisely where everyone else is at all times,” says House. “And let’s be honest, one the great things about live performances is our recognition that there is potential for failure.”
For tickets please visit: http://www.confederationcentre.com/en/show/369-Toronto-Dance-Theatre
We know you’re going to love this performance so much that we will guarantee your enjoyment or offer a full refund from the box office within the first 20 minutes of show time.
Special thanks are extended to Sobeys, the title sponsor for LIVE @ the Centre! Media sponsors are The Guardian, Ocean 100, and Hot 105.5.
Red Island: Stories about Prince Edward Island
Winter 2018 Will Bring New Exhibitions to the Gallery
New works, historical postcards, and visual movements
A young Island artist, a gifted amateur Island photographer, and videos by 11 well-known Quebec artists make up the Gallery’s new winter lineup of exhibitions.
Norma Jean MacLean’s exhibition Accumulated, Positioned, Reflected is a selection of her recent work where she explores the aesthetics of improvised layering, piling, and accumulation. MacLean is a part of the Art Gallery’s Emerging Artist Program that is supported by the RBC Foundation. Curated by the Gallery’s Pan Wendt, the exhibition will be on display from January 13 to April 28.
William Steele Louson was a gifted amateur photographer from Charlottetown. Wish You Were Here: W.S. Louson’s Picture Postcards of Prince Edward Island showcases his photographs of picturesque Island landscapes that were reproduced on postcards. This historical exhibition captures a period in the 20th century when the public interest in buying and selling postcards was a new mania. Curated by Gallery guest, Harry Holman, the exhibition will be on display from January 20 to April 21.
Motion is a visual anthology that shows the work of 11 Quebec artists. The theme of “motion” is understood in two ways: as movement and as a proposal. This exhibition was organized and circulated by Galerie de I’UQAM and curated by La Fabrique d’exposition, and a collection of Montreal curators: Julie Belisle, Louise Dery and Audrey Genois.
“The new exhibitions will see the art gallery transformed yet again,” says Gallery director Kevin Rice. “I am looking forward to Norma Jean MacLean’s new paintings and installations; Harry Holman’s research on W. S. Louson’s early 20th century landscape photography (which circulated primarily on postcards); and the videos by 11 well-known contemporary artists based in Quebec. These exhibitions will provide audiences with a wonderful diversity of artworks.”
And this is your last chance to see John Greer: Material and Metaphor exhibition which closes January 14, 2018.
The Gallery winter/spring hours run from January 1 until May 20, welcoming the public from Tuesday to Saturday, 11 a.m.- 5 p.m. and Sunday 1-5 p.m.
A description of each exhibition can be found on the website at http://www.confederationcentre.com/en/exhibitions.php.
‘Winter’s Dream’ Concert tells the story of how her ancestors’ journey has shaped and defined contemporary Inuit
CHARLOTTETOWN – Susan Aglukark is sharing the journey of her Inuit ancestors through her concert “Winters Dream,” which is about to tour Atlantic Canada.
The second stop on that tour is at the Confederation Centre of the Arts in Charlottetown on Jan. 27.
The Juno award-winning Canadian Inuk singer-songwriter’s “Winters Dream” concert tells the story of how her ancestors’ journey has shaped and defined contemporary Inuit as they forge a place in the ever-changing Inuit Nunangat/Land of the Inuit.
The 13-date tour visits Atlantic Canada from Jan. 26 to Feb. 15. All shows feature Aglukark and her four-piece band, including drums, bass, piano/keyboards and guitar.
During a career that has spanned more than 25 years, Aglukark’s journey has led her to reflect on who she is, where she came from and the importance of discovery of history, culture and self.
She is the first Inuk artist to win a Juno and a Governor General’s Performing Arts Award for lifetime artistic achievement, she is an officer of the Order of Canada, and holds several honourary doctorate degrees, but Aglukark also acknowledges the path has not been easy.
“Here I was, living a life I never imagined, but I was struggling to understand who I was,” she said. “There was no opportunity growing up to learn about who we were, the Inuit, from our own perspective.
“In essence, we were institutionalized by being told who we were, how we would live and when you are told a story for so long, you learn to believe it.”
During the past 25 years of reflection and songwriting, Aglukark said she kept coming back to one area of profound knowing – the Inuit are an extraordinary people deeply grounded in a culture forged by their Ancestors, their journey is what shaped them.
“Their life experience is the foundation on which our precepts of determination, adaptability and love for life are built, they began the journey to our present-day Nunavut,” added Aglukark.
“Winters Dream,” also the name of her upcoming 10th album, is set for release in April and one she describes as bringing her story full circle – from being caught between two worlds – an indigenous one and a western one – to a place where she is comfortable in her own skin and able to “just be me.”
Tickets for all shows are on sale now. For show and ticket details, visit: susanaglukark.com/tour.
Originally posted on The Journal Pioneer.
Every few years, the Confederation Centre gets together with friends and colleagues from other theatres to discuss trends, challenges, and successes in our industry. We finish at the end of the summit inspired and energized.