Director Alan Kinsella could help a cucumber sandwich achieve its fullest theatrical potential. I know this because I played witness to the managerial marvel at the Watermark Theatre in North Rustico Friday night. What he was able to do with a misbehaving wooden table during a séance was pretty impressive as well. With such direction, it is no small wonder the cast and crew of Blithe Spirit by Noel Coward pulled off a transcendent performance on opening night, July 15th.
The show was written in 1941 but the set, lights, and music were done in such a way the show could have been set in any decade. The play is no doubt British but, with some imagination and talent, it could take place in any village or city. That’s the joy of life, death and jealousy. The themes transcend both time and space.
Watermark stalwart Gracie Finley set the standard in her exuberant portrayal of Madame Arcati, a vivacious medium who unwittingly turns Mr. and Mrs. Condomimes’ lives upside down by granting Mrs. Condomine the Former, Elvira, a visit of indeterminate length. Mr. Charles Condomime is at first rattled by the sojourn of the free-spirited spectre and quickly becomes comfortable with the idea of being an ‘astral polygamist’. Charles is played marvellously by Daniel Briere who has a wide repertoire of facial expressions, reminiscent of Rowan Atkinson of Black Adder fame. Briere and Suzanne Roberts Smith (Elvira) play off each other nicely and make the relationship between Charles and Elvira quite believable and, oddly, not creepy.
Enter Ruth, Mrs. Condomime the Current, played by PEI native Bryde MacLean. Understandably, Ruth is not happy with the new living arrangement but she keeps a stiff upper lip. For a little while, anyway. MacLean’s portrayal of Ruth was fun to watch. It was exquisitely executed and made more visually arresting by MacLean’s resemblance to Anne Hathaway. Her presence was made ever more magnetic with the outfits put together by costume designer Kathryn Sherwin. MacLean’s absence for part of the show was very remarkable as I was excited to see what she would be wearing next.
Joshua Browne makes the most of his time on stage, as Dr. Bradman, who takes Madame Arcati’s jabs like a champ. I’m anxious to see Browne play Tom in The Glass Menagerie by Tennessee Williams on July 16th.
Leah Pritchard returns to the Watermark this year to work double duty in this piece; first as Edith, the ready-to-serve maid who may be more than she appears and, second, as Dr. Bradman’s chatty better half. I very much look forward to Pritchard’s portrayal of Laura in The Glass Menagerie. With Pritchard’s easy beauty, light complexion and nuanced performances, Laura may be the role she was born to play.
Robert Tsonos had a very successful first opening night as the new artistic director. Tsonos is no stranger to the Watermark stage and seems very eager to take on new responsibilities. In addition to his artistic director duties, of which I’m sure there are many, Tsonos will be directing The Glass Menagerie. Tsonos is making great strides in making the Watermark a community-integrated space. The theatre acts as a fine gallery for local artisans, serves local beer, and hosts a mentorship theatre program and teenage conservatory to foster the next generation of theatrical professionals.
Bottom line: If you’re looking for some cerebral comedy with a splash of slapstick, Blithe Spirit is the show for you. It’s playing now until August 27th at 7:30 p.m. on selected dates with one matinee on August 10th starting at 1:30 p.m.
Review by Kimberley Johnston. Used by permission. Originally posted on http://www.onrpei.ca.