A Family Affair

Married actors Madeleine Donohue and Geoffrey Pounsett drove from Toronto with their two small children in early June to North Rustico PEI to spend the summer performing at the Watermark Theatre. Madeleine is starring in “Dial M For Murder” as Margot Wendice, while Geoffrey tackles the roles of James Tyrone in “A Moon for the Misbegotten” and Max Halliday opposite his wife in “Dial M For Murder”.

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“In the play I have an affair with my husband’s character, Max, while my stage husband- played by Artistic Director Robert Tsonos- seethes in the background”, says Madeleine, “Despite the spooky subject matter I’m having SO much fun playing Margot, and the whole creative team’s done a terrific job”. “We’ve never worked together before”, says Geoffrey. “The opportunity has arisen a couple of times, but each time one of us was already committed to something else. In the past, one of us has usually stayed in Toronto with the kids while the other is away for work. This was the perfect opportunity to finally share the stage while also having a great summer experience together as a family.”

The two met in the summer of 2008, when they each appeared in both the Fringe and Summerworks Festivals. Madeleine had written her very first play, and Geoffrey was appearing in Erin Shield’s “If We Were Birds”, which continued on to a successful run at Toronto’s Tarragon Theatre . “The Fringe/Summerworks scene is pretty social, so we bumped into each other often. Eventually we discovered that we lived a block away from each other” recalls Madeleine. “Our colleagues were pretty encouraging; we had both attended the same theatre school so we had a lot of friends in common, though we’d never met.  I’d just ended a relationship, and my girlfriends wasted no time in “suggesting” that I check out this Geoffrey guy. Thank goodness for pushy friends!”

Having performed at both the Neptune Theatre (A Few Good Men, Who’s Afraid of Virginia Woolf?) and the Charlottetown Festival (Fire, Anne of Green Gables), Geoffrey was eager to return to an east coast stage this summer. His work has taken him across the country, including multiple seasons at the Stratford Shakespeare Festival, Theatre Calgary and the NAC, as well as a villainous turn in the Canadian production of the international hit “War Horse”.  He is also a noted director of new Canadian plays, including two Governor-General’s Award nominees, and a classical theatre instructor at George Brown Theatre School in Toronto.

Madeleine has appeared in 9 Shakespeare productions, including five tours with Ontario’s Driftwood Theatre Group. She has also performed in four shows with Theatre Gargantua, a physical theatre company in Toronto.  She has worked extensively in children’s theatre, touring North America with Roseneath Theatre and Metaphysical Theatre. With her company Down n’ Out Productions, Madeleine produced five productions at Toronto’s Campbell House Museum, including a play she wrote about the war of 1812 which went on to tour the province. Her most recent children’s plays were commissioned by the Royal Ontario Museum.

Madeleine also loves teaching theatre to kids and teens. “With both of us working in theatre, scheduling is probably the biggest challenge we face as parents, whether in Toronto or elsewhere”, says Geoffrey.  “We’re very lucky to have a reliable network of friends in the city, as well as the world’s most committed grandparents. Our kids have spent quite a few hours in audition waiting rooms and theatre greenrooms, or hanging in parks with friends while we audition. They’re pretty familiar with the transit system already” Madeleine adds “I did two shows when they were tiny babies, and both times the companies were incredibly supportive when it came to scheduling issues, or providing space for babysitters or nursing, etc. And we love that our kids are already passionate theatregoers! So far, puppets are a MAJOR hit.”

Geoffrey reports “the kids are loving the island. They just went to their first Ceilidh and have now decided that they’re step-dancers. I’d worked here twice before (at the Charlottetown festival) but it’s Madeleine’s first time on the island, so we jumped at the opportunity to drive east. The kids are at the perfect age; at 3 and 4 they don’t mind being whisked away from friends and activities for a few months.”

“I don’t think they want to go back!” adds Madeleine. “I don’t blame them. We’re living in York, and they have so much space to run around. And they’re fascinated by the fishing boats in North Rustico. It’s been a magical summer so far.”

Both plays, “Dial M For Murder” and “A Moon For The Misbegotten” run to September 1st. Tickets can be purchased via the company’s website http://www.watermarktheatre.com or by calling 902-963-3963.

For more information, or to further interview Madeleine or Geoffrey, please contact Andrea Surich at 902-963-3963 or generalmanager@watermarktheatre.com

Watermark Theatre is a proud member of the PTN (Professional Theatre Network of PEI)

Cookin’ Up Hank

FRIDAY, AUGUST 3RD, 7:30PM at the Harbourfront Theatre

All Seats: $34.50 (tax & fees included)

“Ryan Cook’s channeling of Hank Williams – his voice and heartache- is a moving experience. A terrific performance by this young artist and his band”- Harry Thurston, Gaspereau Press

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Ryan Cook began performing as Hank Williams in 2009 when he performed consecutive sold-out weeks of the Maynard Collins play “The Show He Never Gave” in Sackville, New Brunswick.

Having performed on some of the same stages as Hank Williams including the Ryman Auditorium and Ernest Tubb Midnight Jamboree in Nashville, TN, Ryan has also studied Hank Williams’ life through the biographical work of Colin Escott, Sneezy Waters, The Country Music Hall of Fame (TN), Hank Williams Boyhood Home & Museum (AL), and The Hank Williams Museum (Montgomery (AL).

Along with band mates the Drifting Cowboys, this two-act feature performance includes 22 songs from the man hailed by many as the greatest country music singer and songwriter of all time.

Ryan Cook and company re-animate the sounds of Don Helms’ haunting steel guitar, Jerry Rivers’ fiddle arrangements, and the yodeling of the lovesick boy from Georgiana, Luke the Drifter himself: Hank Williams.

“I feel like I’m watching Hank in his prime on a stage that he was no stranger to… I flew to Nova Scotia to experience the magic for myself, and wasn’t disappointed!” – John Walker, Producer –Music City Roots

From One Island to Another

New York Stories: with Former NYLON Micah Barnes and Holly Arsenault

Micah Barnes has been a treasured voice on the Canadian music scene for decades, and is a former member of the A Capella group The Nylons.

Micah’s latest show “New York Stories” takes you on a musical tour of The Big Apple starting uptown at The Apollo Theatre and The Cotton Club and moving midtown to Time Square & Broadway before landing downtown at Jazz Clubs Birdland and The Blue Note in The Village. The Canadian Jazz crooner will be performing beloved chestnuts from the world of Broadway, Jazz and Doo Wop  from legendary New York songwriters like Irving Berlin, George Gershwin, Cole Porter, Fats Waller, Duke Ellington, Carole King & Burt Bacharach, as well as songs from Micah’s critically acclaimed disc “New York Stories” (eOne Music).

“Following his time with the a cappella act The Nylons, Micah Barnes has found his own voice, that of a highly personal singer/songwriter with a strong jazz sensibility.” – Montreal Mirror

The piano has been Holly Arsenault’s favourite toy since the ripe old age of 4 when she came upon the tired old upright at her grandmother’s house in Cape Breton.  In the years since, she has traveled the globe as a pit musician, music director, sideman, soloist and leader of her own trio . These days, Holly lives and plays in Halifax, Nova Scotia, with forays into the wider world as opportunities and adventures beckon.

See the show at the Victoria Playhouse on August 6th.

To the Rescue

Join us at the Guild for Gerald Beaulieu‘s fantastic exhibit, “Superheroes”
The theme of Superheroes for me references both a passion for the comic book genre and a fascination of the extraordinary. I want these figures all to be larger than life, displaying an act of desire to go beyond physical limits and the need to transcend imposed boundaries. Each figure in both form and material is in a state of transition, from the ordinary to the extraordinary, from the commonplace to the mythical. These pieces are an attempt to comment on the notion of the heroic, the drastic singular act as solution and answer, the role model to be admired and emulated, the isolation of celebrity and the dualities of public personas and secret identities. Shown together I hope these figures reflect on both the power of the myths they aspire to and the fragility of the reality they inhabit.
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This series has was created over a span of ten years. The final three figures of the series were completed during a month-long residency in 2007 at Gallery Connexion in Fredericton New Brunswick in cooperation with the New Brunswick College of Craft and Design. When completed the complete collection was exhibited at the Gallery, the College, and downtown Fredericton.
The structure of all the figures are composed of wood carved into their various poses. Each figure starts out the same, in composition, as the others and are transformed or given their powers, by the various surface treatments applied to the figures. These action figures are not representative of any one character but are compilations derived from the comic genre, mythologies, and legend.
Superheroes is at The Guild through July 28th

Head in the Sand

After Pam finds a letter from her teenage son to his sweetheart, she turns up unannounced to discuss matters with the other teen’s mother Holly.  What starts as a pleasant visit quickly becomes a complicated, bizarre and hilarious roller-coaster ride of misunderstandings. The mess and confusion of the precarious situation escalates with the arrival of Holly’s outrageous and filter-less friend, Cheryl. Now it just remains to be seen whose head is buried deepest in the sand!

“Myth of the Ostrich is a knockout comedy. It’s got sharp insight and laughs a’plenty. I’m still giddy more than an hour later.” – Mooney on Theatre

“A smart comedy like this deserves the widest audience possible.” – Stage Door

“The play feels so real that it would be understandable if you forgot you were in a theatre, at least until the next belly-laugh comes along.” – Charlebois Post

Myth of the Ostrich opens August 4th at the Victoria Playhouse.

Stepping Up Stepping Down

A stage debut after 25 years as chair with the Confederation Centre!

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Wayne Hambly is stepping down from his role with the Board of the Fathers of Confederation Buildings Trust. We couldn’t let him go without getting him on stage at least once! Yesterday he made a cameo in Anne of Green Gables: The Musical (he’s the man in the tan hat next to Anne).

Thank you for everything, Wayne Hambly, and a huge round of applause!

You can also catch him as the Spintime DJ with CBC Mainstreet on Friday.