Who’s Your Mother?

Women Artists of PEI, 1964 to the Present at the Confederation Centre Art Gallery draws upon more than half a century of collecting to showcase the rich and diverse work of over 40 female artists highlighting mentors such as Elaine Harrison, Erica Rutherford and Hilda Woolnough.

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The exhibition is curated by Lisa Theriault and Pan Wendt

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Ain’t No Mountain High Enough

Thursday, November 1, 2018, 7:00 PM at the Harbourfront Theatre
Premium (Rows A-N): $49.00 (tax & fees included)
Regular (Rows P-T): $45.00 (tax & fees included)

You know it’s Motown when you hear it!

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Defined as soul music, Motown (Motown Records) was a driving force behind some of the biggest names in music. Individual artists and groups like: Smokey Robinson, Diana Ross and The Supremes, Stevie Wonder, Marvin Gaye, The Temptations, and The Jackson 5, among many others, would come to be known as the Motown Sound in the sixties and seventies.

For the first time ever, Motown Soul brings you the exquisite vocal harmonies of Cathy Borges, Marlene O’Neill, and Amoy Levy, known as The Tonettes, performing alongside special guest performer from Las Vegas, Nevada, currently starring in his hit show from Bally’s Casino, the man with all of the moves, Grady Harrell. Together, the Tonettes and Grady will deliver a powerful and soulful performance as you have never heard or seen before, bringing you back in time to that special era when music and soul came together.

With songs like: “Higher and Higher” (Jackie Wilson), “My Girl” (The Temptations), “You Can’t Hurry Love” (Supremes), “Ain’t No Mountain High Enough” (Marvin Gaye), and “Natural Woman” (Aretha Franklin), you’ll be singing and dancing all night long to this timeless music when you hear it live with the Rockin’ Royals Showband.

Cabin Fever

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Most people practice most yoga indoors, the weather being what it is in North America. Yoga studios are almost always inside buildings, anyway. That is a good thing if it’s the middle of winter in Vermont or the armpit of summer in Mississippi, or fall winter spring on Prince Edward Island on the south side of the Gulf of St. Lawrence.

Almost 120 inches of snow falls during the long winter season on PEI. Skiers going to Vermont are happy if 80 inches have fallen during the season. The wind off the ocean makes everything feel colder than it is on the island. Sometimes harbors are still frozen well into May.

Practicing indoors means being able to practice in the middle of a blizzard or a thunderstorm, or even a light sprinkle. It means practicing in a space set aside for exercise and breathwork, or just meditation, without interruption. It means being able to be consistent in one’s practice, a habit thought to be fundamental to gaining ground.

No rain checks are ever needed when unrolling a mat at your local studio or your basement recreation room. They are private spaces, spaces in which the environment is controlled. Lightning might strike, but it won’t be literal lightning.

Some practices, like Bikram Yoga, are performed indoors only, in sealed-up steam-filled rooms,, like heat-ravaged parts of the world in the grip of a post-modern climate change event, when you might as well be outside. Even then it probably doesn’t measure up to what Bikram Choudhury, the mastermind of hot yoga, calls his “torture chambers.”

Pattabhi Jois, the man who inspired and developed Ashtanga Yoga, on which most yoga exercise of the last half-century is based, recommended that it be practiced indoors.

“Outside don’t take,” he said. “First floor is a good place. Don’t go upstairs, don’t go downstairs.”

When asked about renegade yogis in India practicing in the forest, he simply said, “That is very bad.”

Although there are problems associated with practicing outdoors – including that it will inevitably defy the weather forecast and rain the one day you try it – people do it all the time, especially in places like southern California, where there are many classes like ‘Beach Yoga with Brad’.

“Ditch the confines of the indoors!” recommended CBS-TV Los Angeles, reporting from the great outdoors.

“If you’re doing yoga indoors then you’re cheating yourself,” said Sarah Stevenson, a Certified Yoga Instructor in Orange County. “The sun’s rays and fresh air provide not only improved physical health, but also spiritual and emotional wellbeing.”

It isn’t just sunny climes, either, that roll out the mat regardless of rocks and roots and biting bugs. From Missoula to Minneapolis, any place where the winters are long and dark, the sun-starved come out in droves in the summer.

Some don’t wait for the solstice.

Members of ‘Y-8’ routinely practice their Alsteryoga on the thick ice of the frozen-over Lake Alster outside the northern German town of Hamburg. They make sure to pull the hoods of their insulated sweatshirts over their heads when in headstand.

Whether it’s ice or sand or grass, the instability of ground outdoors makes for a challenging experience. Some people practice on paddleboards when the hard water of rivers and lakes has gone defrosted. “When you’re not on a solid wood floor surface, you end up using different parts of your body,” said Jennifer Walker, an instructor in Maine. “Outside, you end up engaging your core much more to stabilize your whole body.”

Although I oftentimes get out into our backyard in the summer, I still roll out my mat indoors because I’ve carved out a space I like at home, and because the weather in Lakewood, Ohio, just outside of Cleveland, is unpredictable, while the midges and mosquitoes that fly up out of the Rocky River valley are predictable.

Sometimes, though, I jump the traces.

The three mostly sunny weeks my wife and I spent in North Rustico, on the north coast of Prince Edward Island, at the Coastline Cottages on the National Park road, I moved my mat and me outside. Sometimes in the morning, but more often in the afternoon, when the crab apple tree at the back of our cottage cast a convenient shadow, I unspooled on the grass and set about doing yoga exercises, warming up with sun salutations.

“When I practice outdoors, there is this amazing energy,” said Angela Jackson, an instructor in Oakville, Ontario. “I feel more connected to the earth, the birds, the animals, the sky, and to myself.”

I practiced almost every day, because we were on vacation with plenty of time, and because the days were warm and it was fair and breezy where we were on the edge of the Atlantic Ocean. I was bitten every one of those days, sometimes more than less, by flying bugs, as well occasionally by black flies from the scrubby conifer woods beside the fifty acres of soybeans behind the cottages.

Prince Edward Island is predominately a farming and fishing province. There are croplands and cattle and fishing boats everywhere. A few years earlier we had stayed in a cottage next to a field and a barn full of cows. Every room in the cottage came equipped with a fly swatter. We made sure all the screens were safe and sound and in place.

The reason we feel more connected to the earth when we practice outdoors is because we are standing directly on the earth, on the soil and grass of it. PEI is made of soft sandstone and its soil is an iron oxide red. The contrast of bright green grass to the red land beneath a high blue sky on a summer day is often striking.

I saw lots of sky doing things on my back on my mat behind our cottage. Creeping crawling insects took shortcuts under me, the long way over me, or just bumped into me and zigzagged away. Seaside birds flew overhead. Most of them were cormorants, an easy to spot coastal bird with short wings and a long neck. There were plenty of wood warblers and a couple of yellow-bellied sapsuckers, darting in and out of the crab apple tree.

One afternoon behind our cottage a week-and-a-half into our early summer stay on the island, a grown-up red fox hunkered down and watched me for a long time. The fox surprised me, even though I knew they were all over the north shore. We had seen plenty of them, on the shoulders of roads, or the edge of woods, always looking for handouts.

From 1900 until the 1930s black silver fox farming – the silver fox is a mutation of the island’s ubiquitous red fox – was a cash crop on Prince Edward farms. Fox pelts were in high style, but cost an arm and a leg because they could only be got from trappers. No one knew how to raise them until in the 1890s two men, a PEI druggist and a farmer, perfected a way to domesticate and breed them.

It made many of the natives rich. The price for a bred fox pelt, never mind a trapped pelt, in 1910 was a jaw-dropping $1200.00. To put that into perspective, farm laborers on the island in 1910 averaged a dollar a day in pay for ten and twelve hour days.

The Great Depression and changing fashion crippled the market and by the 1950s fox farming was finished on Prince Edward Island. Most farmers simply let their animals loose. The foxes were probably glad to go, glad to be back on their own, glad to not have to be a fashion statement anymore.

“My grandfather raised horses, and kept foxes for their pelts,” said Kelly Doyle, a North Rustico lobsterman whose Coastline Cottages we were staying at. “But, then they weren’t cool anymore, so he let all the foxes out, and my father who couldn’t make a living at that became a farmer.”

Rubbing eyeballs with a fox in woods or fields used to be out of the ordinary, but sightings nowadays are commonplace.

“Whereas foxes once avoided human contact, they now venture up to parked cars, presumably looking for food,” said Ryan O’Connor, who grew up on PEI and is a historian of Canada’s environmental movement.

Although some of the issues with sun salutations in the great outdoors are bugs and bad weather or sometimes too much sunshine, rarely is the issue a wild animal. The foxes are wild, but not so wild, too. They live in woodlots and sand dunes, are intelligent and adaptable, and have no trouble living in close association with human beings.

One moonless night, sitting on the deck of our cottage overlooking the Atlantic Ocean, we heard a god awful noise somewhere out on the long dark sloping lawn. The next morning Kelly Doyle had to clean up the remains of a dismembered rabbit. Every fox hunts every night for mice voles rabbits.

I don’t know when the red fox slipped behind the adjacent cottage to ours. I saw him midway through my yoga series for the day, when I lengthened into plank from down dog and transitioned into up dog, and there he was, about fifty feet away from me.

There is a rule at the Coastline Cottages. “Don’t Feed the Animals.” The rule is to discourage foxes from loitering, looking for food for their kits. I hadn’t seen anyone breaking the rule, because who wants a fox at their door cadging for a handout? But there was the red fox, plain as day, behind the cottage next to ours, giving me the once over.

“They won’t bother you, or bite you,” Kelly had told us.

I had no reason to doubt him, so I continued what I was doing, sneaking a peek at the animal now and then. The fox wasn’t overly large, maybe 20 or 25 pounds, with a reddish-brown coat, white under belly, and a black-tipped nose. One of his eyes was cloudy, as though the animal had a cataract or been hurt.

He lounged and moved more like a cat than a dog, although foxes are a part of the dog family. His ears were triangular. When he cocked his head and his ears went up erect he resembled a Maine Coon cat with his muzzle in mousing position.

All during the rest of my yoga practice that afternoon the fox never made a sound, and even seemed to doze off for a few minutes. He stretched and yawned. When he left, moving away into the soybean field, he walked on his toes, heels off the ground, agile canny swift. No amount of yoga I ever did was ever going to get me to be able to move like that.

I didn’t see him again the rest of our stay.

Living north of the Mason-Dixon Line I am by necessity forced to do yoga indoors most of the time. But, moving one’s mat outdoors isn’t necessarily for the birds, if only because that’s where the energy is. The fountainhead is under the arching sky in the wide blue yonder.

In the world of yoga the word prana means energy or life force and pranayama means breathwork, or breathing exercises. To practice outdoors is to be immersed in the source of prana, whether you mean it as the source of life or simply as the air we breathe.

Bringing a breath of out in the country air into your body mind spirit is refreshing. Great wafts of it are even better. It’s no holds barred refreshing breathing in the old-school air of the island. There’s more air in the air on the edge of the ocean than there is in most other places.

There was more than enough of it for both the red fox and me the sunny day we shared it, both of us dwarfed by a sweeping horizon and puffy white clouds blowing out to the Gulf of St. Lawrence, behind a small cottage next to a soybean field.

“How was it?” my wife asked when I stepped back into the cottage.

“It was a breath of fresh air in my brain,’ I said.

Originally posted on http://www.paperbackyoga.com.

Finding Fortune This Weekend

Fortunate Ones is Newfoundland’s JUNO-nominated duo Catherine Allan and Andrew James O’Brien. at The Mack October 26th and 27th.

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Known for dynamic live performances, effortless union of voices in harmony, and anthemic melodies — they embody a wide-eyed energy, deliver messages of reflection and optimism, have an earnest mission for connection, and are endearing audiences across Canada and beyond. Their new album Hold Fast is out now.

Over the last five years, the duo has played over 300 shows and garnered the attention of Prime Minister Justin Trudeau when he singled out a track from their 2016 Christmas EP All Will Be Well,as one of his favourite listens for the holidays. Their debut album, The Bliss was nominated for a JUNO Award, garnered two #1 singles on CBC Radio 2’s Top 20, won the 2016 “Rising Star” ECMA, the 2015 “Vocal Group” Canadian Folk Music Award, and four 2015 Music Newfoundland and Labrador Awards.

Hold Fast is out now on Old Farm Pony Records. The album was produced by Daniel Ledwell and features writing collaborations with Alan Doyle (Great Big Sea), Tim Baker (Hey Rosetta!), Meg Warren (Repartee), Jim Bryson, Good Lovelies, Alexa Dirks (Begonia), Mike Belyea (Jenn Grant/David Myles), and Kinley Dowling (Hey Rosetta!).

“…you won’t be able to resist…” – Exclaim!

“…a polished, poppy affair full of their beautiful harmonies” – CBC Music 

Pay Steam PEI What You Will

SATURDAY, OCTOBER 27, 7:30 PM* at the Harbourfront Theatre.

*Please note: an interactive lobby experience by STEAM PEI is open to the public from 6:30-7:30 PM and can be explored anytime within that hour. Video Phase’s performance starts at 7:30 PM.

TICKETS: PAY-WHAT-YOU-WILL

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Video Phase: Lumens
A Harbourfront S.T.E.A.M. Event:
Featuring a special interactive lobby experience by STEAM PEI

How does Pay-What-You-Will work?
Step 1. Reserve your tickets online or at Box Office for no fee in advance of the show.
Step 2. Enjoy the show.
Step 3. Pay-what-you-will for your tickets at the end of the show. (Cash recommended. Credit cards accepted.)

About Video Phase
Based in Montreal, Canada, Video Phase is the result of the collaboration between two musicians-creators, Julien-Robert and Julien Compagne. Their goal was to develop a new kind of art that equally combines music, video, and technology. The duo creates a synesthesia between their musical and visual universes, one representing the other and vice versa. The visual component of their shows is totally interactive; this gives them the freedom to improvise and preserves the magic of live performance. With the use of technology, they seek to provide the audience with more than a regular concert – a real multi-sensory experience.

About Lumens
Lumens, the second original creation of the group, explores the link between virtual and reality by creating a 3D multi-screen environment projected in front of and around the audience. The two creators give life to music and image in real time, like an interactive musical video game. An immersive multimedia performance with musical instruments like drumpads, electronic instruments, laser frames, motion capture by Kinect, and even… water! A show you need to hear with your own eyes.

Harbourfront S.T.E.A.M Event

STEAM (Science, Technology, Engineering, Arts, Mathematics) is an education model that allows people to better explore the world around them and create new and innovative ideas.

Join us before the show and explore music in a whole new way with a hands-on discovery display created by STEAM PEI open to the public from 6:30 PM-7:30 PM, and then see how music, video, and technology work together in Video Phase: Lumens from 7:30-8:45 PM.

About STEAM PEI
STEAM PEI inspires young Islanders to pursue learning and careers in science, technology, engineering, art, and math by fostering their curiosity and confidence through engaging experiential learning opportunities such as after-school classes, workshops, camps,
special events, and parties.

Not Forgotten, In Remembrance

Sobeys LIVE @ the Centre Presents ‘In Remembrance’ at Historic Trinity United

Annual Remembrance Day concert will be performed by the Confederation Singers and Confederation Centre Youth Chorus

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The Confederation Singers and the Confederation Centre Youth Chorus will present a recital of choral music and readings in honour of the nation’s war veterans. Also marking the 100th Anniversary of the end of the First World War. In Remembrance takes place Sunday, November 11, at 7:30 p.m. at Trinity United Church in Charlottetown.

In Remembrance offers an evening of thought-provoking poetry complemented by appropriate selections of choral music; one reflects and heightens the other,” offers Don Fraser, director of choral music at Confederation Centre. “Much of the poetry is from the First World War, and included in the music is a Canadian choral setting of the famous In Flanders Fieldspoem.”

The concert will also feature the selection ‘I’m Dreaming of Home’, which members of the Youth Chorus performed at the dedication ceremony for the newly restored Canadian National Vimy Memorial in France on April 9, 2007, the 90th anniversary of the Battle of Vimy Ridge.

Other featured music selections include: Eric Whitacre’s ‘Sleep’; ‘In Remembrance’ from Canadian composer Eleanor Daley; ‘The Road Not Taken’ by Randall Thompson; the beautiful ‘Pie Jesu’ by Fauré; and ‘Ubi Caritas’ by Ola Gjeilo.

Tickets for the annual In Remembrance performance are $15 and are available at the door or via the Confederation Centre’s box office. Patrons can also order at 902-566-1267, toll free at 1-800-565-0278, or online at confederationcentre.com.

Appreciation is extended to Maritime Electric, program sponsors for the Choral Music Programme, as well as to Sobeys, the title sponsor for LIVE @ the Centre! Media sponsors are The Guardian, Hot 105.5 and Ocean 100.