Based in Halifax, Mitchell Wiebe has been something of a cult artist in Canada for decades. Known for his instantly recognizable paintings of fantastical creatures and warped worlds, Wiebe is also a performer who has fronted numerous experimental bands. Over the past decade Wiebe has branched out into installation art, and this new show involves his occupation and response to the Brutalist architecture of the Confederation Centre.
“We’re doing something special with Mitchell, actually putting him and his process on display,” says curator Pan Wendt. “Not only are we showing a selection of his work, in various states and contexts, including a black light gallery, but the artist will create a giant painting and installation in the public eye. You can actually watch him work, almost as a performance, for the week of October 15-19.”
During the run of the exhibition, the gallery will feature a number of performance pieces involving collaboration with artists and musicians. The show kicks off a national tour, involving a series of responses to gallery spaces across the country, and will feature a publication that includes critical essays by prominent curators in Canada and the United States.
Mitchell Wiebe received his M.F.A. at NSCAD University, and his work was included in the national survey Oh, Canada, organized by the Massachusetts Museum of Contemporary Art. P.E.I. viewers may be familiar with his many contributions to Art in the Open and afterimage, including collaborations with Graeme Patterson, Ray Fenwick, and Russell Louder.