Bringing Back the Future

By Ed Staskus

   The green house on Doyle’s Cove and the shore road on the Gulf of St. Lawrence have both been there for more than a century, except last century they changed places. The road used to be on the cliff side and the house on the hillside. The green house is on the cliff side today and the road has been moved away from the ocean. It is now the National Park road.

   “It was on the property but maybe a few hundred yards away,” said Kelly Doyle, about what became the green house. When Kelly’s father, Tom, hauled it down to the water’s edge, it was because his new bride refused to stay in the white family house, the house that ended up within earshot.

   “Dad in the back of his head thought his mother and wife would get along, but they were both very damned strong women,” Kelly said. “They just couldn’t live in the same house, both determined about that.”

   When Doris and Tom Doyle married in 1947, both in their early 20s, Dottie from Boston and Tom native to the island, they moved into the big white house on the cove built in 1930 that Tom grew up in.

   “The only place to live was living in the white house,” Kelly said.

   The white house is on the ocean side of North Rustico, on the north side of Prince Edward Island, near the entrance to the harbor, a clapboard two-story house with a dozen windows, two dormers and three porches on the side facing the water. A broad lawn slopes down to the cliffs. 

   “The first house was bigger,” said Kelly.

   It had been bigger, but it was gone.

   Kelly’s grandparents, Mike and Loretta Doyle, were playing cards at a neighbor’s house one night in 1929. It was winter, cold and snowbound. Their friends lived about a mile away. At the end of the evening, going home in their horse-drawn sled, they crested a frozen hill. A red glow lit up the sky and flared across the ice in the cove below them. 

   The pitch-dark night was lit up. The house was on fire. They had left seven children behind in the care of the eldest. Tom was the youngest, four years old.

   “It was a flue fire,” said Kelly. “It burnt down because of the stove.”

   By the time the horses raced down to the house, the parents finding all their children safe and sound outside, there wasn’t much Mike and Loretta could do. There were no neighbors nearby to help and there was no fire department. Mike was able to drag some furniture from the first floor out the front door and saved as many fox furs as he could.

   The house was rebuilt the next year and finished the following year.

   “The foxes my grandfather saved from the fire built the new house.” Kelly’s grandfather was a fox farmer. What he sold the pelts for went to pay for the work of the nomadic immigrant tradesmen who built the house.

   “Nobody knew them,” said Kelly. “They weren’t from around here.”

   It took the Great Depression a year to get to Prince Edward Island, but when it did it disrupted farming, what the island did for a living. In 1930 PEI farmers had a large grain and potato harvest. They had never had problems selling to their markets, but by then their markets were going broke. For the next couple of years, no markets were buying. By 1933 average net farm income on PEI was twenty dollars a year, selling fruits, produce, vegetables, and cattle.

   Although agriculture and the fisheries crashed, tourism and fox fur farming boomed during the 1930s. It was how many islanders kept their heads above water. One in ten PEI farmers were involved in keeping foxes, supporting their families. There were 600-some fox farms on the island in 1932. Five years later there were double that. By the end of the decade ten times the number of pelts went to market as had the previous decade.

   “When my mother married my dad, she didn’t get along with my grandmother all that well,” said Kelly. They were all living together in the family house. “My mom and grandmother liked each other enough, but not enough to live in the same house. She finally said to my dad, you better build me a house.”

   It put Tom Doyle on the spot. There wasn’t the money for a new house, even though they had the property. “Dad had a choice to make, either lose your wife, or build a house.” He couldn’t build a house, so he improvised.

   “I don’t know what kind of a building it was,” Kelly said. “It was few hundred yards away. He hauled it down the hill to the cliffs and turned it into a house, even though he had his hands full farming at the time.”

   Moving a building is no small amount of work. Fortunately, the building was on the small side, there was a short clear route, and there weren’t any utility wires that had to raised. There was no electricity or plumbing to disconnect, either. Still, wooden cribs had to be inserted to support the building inside and out, jacks had to raise it at the same exact rate and lower it the same way, and it had to be trailered slowly and carefully to its new foundation, between the barn and the white house.

   “It was almost eighty years old when my dad moved it,” said Kelly. “It was two thirds the size of what it is now. When I grew up in it, it was pretty small. They built onto it in 1964 when I was eight years old. We spent that winter in my grandmother’s house while our house was being renovated.”

   The Doyle kids, Cathy, Elaine, Kenny, John, Mike, and Kelly grew up in what became a two-story, gable-roofed, green-shingled house, even though it was never big enough for all of them, never enough bedrooms.

   “It wasn’t bad, since there was a fifteen-year difference between the youngest and the oldest. We all left the house at different times.”

   Mike Doyle died in 1948, soon after Tom and Dottie’s marriage, leaving Loretta a widow. She started taking in summer tourists, putting up a sign that said Surfside Inn. She harvested her own garden for the B & B’s breakfasts. “My grandmother filled all the rooms every summer. Some Canadians came, and more Europeans, and Americans because they had lots of money.” 

   She ran the inn for more than twenty years. 

   “She got a little bit ill around 1970, and lived alone for six, seven years until my dad moved her into the senior’s home in the village. After that nobody lived in the house for ten years.”

   In the late 1980s Andy Doyle took it over, rechristening it Andy’s Surfside Inn. 

   “My uncle had been gone for more than twenty years, nobody ever heard from him, and then he came out of the woodwork and took it over,” Kelly said. Nobody could believe that a man in his late 60s wanted or could run a five-room inn. He ran the show for almost twenty-five years, outliving all his siblings until dying in his sleep two years ago.

   It was the end of the Surfside Inn, but not the end of the white house. Erik Brown, the son of Elsie, Andy’s sister, moved in, keeping it in the family. The next summer he started renovating the house back to a home.

   “It was a rambling old home with large rooms and a spectacular view,” said a woman who came from Montreal. “The best thing is having breakfast in the morning with all the guests around one table. One year ten years ago it was with mime artists from Quebec, an opera singer from Holland, and another lady from Switzerland. A dip in the cove outside the front door is a must before breakfast. There are lovely foxes gambling outside, in the evening, on the large lawn!”

   “It was neat when I was growing up,” said Kelly. It was the 1960s. “There were ducks geese and sheep and white picket fences. She had lots of tourists from Europe. We were just kids, all these little blond heads running around. I started meeting those people from overseas.”

   Up the hill from the bottom of the pitch where today there is forest land there was in the 1970s a summer camp for clansman kids.

“They called it Love it Scots. There wasn’t a tree up there then. A couple hundred kids from around the Maritimes would come and they would teach them Scottish music and their heritage. We could hear the bagpipes being played every night on our farm down here.”

   Highland College staged the PEI Scottish Festival there.

   “After that it was a campground, three four hundred families up there.”

   When the campground closed, the trees began to grow back until today it looks like the trees have always been there, rimming out the horizon, alive with damp and shadow. Blue jays, weasels, red squirrels and red foxes live there. The foxes hunt mice and rabbits. The blue jay is the provincial bird and stays above the fray.

   “I grew up with tourists,” said Kelly. “It was different back then. Now people come here and expect to be entertained.”

   There is Anne of Green Gables for the kids. There is harness racing and nightlife. There are performing arts in Charlottetown, Summerside, and even North Rustico. There are ceilidhs every summer evening all over the island. There is a country music festival in Cavendish that draws tens of thousands of people. There is cultural tourism. There are bus tours. Cruise ships dock in Georgetown, Summerside, and Charlottetown, disgorging hundreds of passengers on shore excursions, looking for something to do.

   The provincial authorities opened a buffalo park in the 1970s after getting a score of bison as a gift. Bison is not native to the island. Nevertheless, tourists lined up to see the car-sized animal like a large cow with horns curving upwards. Bison can run three times faster than people and jump fences five feet high. Fortunately, they were behind six-foot fences.

   “Back then people came here with a different attitude. There was lots to do, too, because they found the local life interesting. They liked the humbleness of everybody, the way of life that was so honest and down to earth. PEI wasn’t like the rest of the world back then. The Maritimes were kind of cut off from the rest of the world once the Merchant Marine was taken away. We kind of fell behind there.”

   The tourists of the 1950s and 60s were young couples travelling with children. Some were older couples from the American east coast. There were nature lovers. There were artists. Some of them were bohemians. Others came because PEI had become the “Cradle of Confederation.”

   “Even though, it was a dump here when I was growing up, to be honest,” said Kelly. “Everyone had an outhouse and a pig in the backyard. There were rats everywhere. It wasn’t all that nice in Rustico, but a lot of artists, writers, photographers, people who liked nature came here. It took a long time to come back, in the 70s and 80s, before it became looking like a real village.”

   In the 1970s the provincial government invested in tourism and has stayed invested ever since. It partnered in the Brudenell Resort near Georgetown and the Mill River Resort. Both include golf courses, which are seen as important tourist attractions. 

   Fifty years later, Prince Edward Island is a different place.

   “It’s sterilized now,” said Kelly. “It’s a completely different PEI, and the people who come here are different, different attitude, different interests.”

   Kelly grew up in the green house, on the cove. After storms the beach and red sandstone were often choked with seaweed, stinking for hundreds of yards. Back in the day some men collected it for fertilizer in their gardens and banked it against their house walls as insulation against the cold winter weather.

   Everyone went to school in town. After school Kelly and his friends didn’t have to go far for fun.

   “Between the pool hall and the rink, those were my social events, before I could drink. We grew up in the pool hall here.”

   To this day John Doyle is an outstanding pool player and participates in tournaments. “John is a decent shot,” said Kelly. “Keep your money in your wallet.”

   The pool hall was down and around the corner from Church Hill Road. A boatbuilder had several shops there and one of his sons converted one of them. The shop that became a pool hall was green like the green house. “There were a couple of pinball machines up front and eight tables in the back. it was the spot for boys and girls on weekends.”

   By the time he was 16 years old and finished with 9th grade, he was finished with school. Many boys did the same, going to work with their fathers, or simply going to work. Kelly went west to Quebec and Ontario, but when he got back to Prince Edward Island and started going into the tourist trade, the green house was still there. 

   He built a cottage up the hill from it.

   In the years since then Kenny Doyle built a brown house behind the barn. After Tom and Dottie passed away, the green house was rented to a young woman from the village for a few years, but John Doyle has taken it over. Bill and Michelle DuBlois, sprung from Elaine Doyle, have built a blue house across the street. 

   It is Doyle’s Land, from the edge of the ocean to the edge of the trees.

Ed Staskus edits Theatre PEI. He posts stories on 147 Stanley Street http://www.147stanleystreet.com and Cleveland Ohio Daybook http://www.clevelandohiodaybook.com

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Elvis on the Way

Don’t miss your chance! On June 5, A Tribute to Elvis in Concert, featuring: Pete Paquette and Chris Connor at the Harbourfront Theatre. This dynamic duo have been performing their amazing Tribute show in front of thousands of Elvis fans across our nation. Accompanied by an incredible ten-piece band, their talents and showmanship make this show a MUST SEE live concert for any rock’n roll fan.

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Viola on the Ten

What do you know about the woman on the new $10 bill? This #internationalwomensday, we want to highlight the story of Viola Desmond, the Atlantic Canadian civil rights trailblazer who is at the heart of this summer’s cabaret Hey Viola! at the Confederation Centre.

“In November 1946, hair salon owner Viola Desmond went to a film at the Roseland Theatre in New Glasgow, NS. But what began as a night at the movies became a night in prison. Unaware that the theatre was segregated, the Black Nova Scotian chose a main‐floor seat. When she refused to move to the balcony, where Black patrons were expected to sit, she was arrested and dragged out of the theatre.

For many people, the story would have ended there – but Desmond refused to accept the charges against her, and her case went all the way to Nova Scotia’s Supreme Court. By refusing to change seats and by fighting her conviction in court, Viola Desmond directly challenged segregation in Canada. Even though she ultimately lost her appeal, her stand against injustice galvanized Nova Scotia’s Black community and helped inspire Canada’s civil rights movement.

The justness of Desmond’s cause was officially recognized in 2010, when the Lieutenant Governor of Nova Scotia posthumously pardoned her, removing her conviction from the historical record. In 2018, she became the first Canadian woman featured on a regularly circulating Canadian $10 bill. Desmond has also appeared on a Canadian postage stamp, has her own Heritage Minute and there is even a ferryboat in Halifax named in her honour.”

– One woman’s resistance, Viola Desmond’s Story, Canadian Museum for Human Rights

Learn more about Viola Desmond, and the performer bringing her story to the stage this summer: https://confederationcentre.com/…/meet-krystle-dos…/

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Casting Call

Casting call for ‘Children of Avonlea’ at The 2022 Charlottetown Festival

– Auditions will be held April 10 –

As Confederation Centre of the Arts prepares to bring Anne of Green Gables – The Musical™ back to the mainstage, the show’s director invites Island children to audition for the production.  

Known as the ‘Children of Avonlea’, this chorus of youths spends the summer performing alongside the professional artists hired for The Charlottetown Festival. “It is a great opportunity for budding young artists to gain experience in a big production,” says Adam Brazier, the Centre’s artistic director of performing arts, who is directing the show. “We always strive for this to be a positive experience that inspires the Island’s next generation of performers.” 

Confederation Centre’s associate artistic director of performing arts, Dawn Ward, will be assistant directing the musical and attend the auditions alongside Brazier. 

The Festival is looking for mature, talented, and responsible youth between the ages of 8 – 14. Candidates should be able to sing well both solo and in a group, and ideally have some training and/or experience in movement, acrobatics, and/or step dance. There is also a need for one or two children who can play the fiddle.

Auditions will be held the afternoon of Sunday, April 10 at the Centre and are by appointment only. To book an audition time, please contact Rosie Shaw at rshaw@confederationcentre.com

Audition Requirements

·          All candidates should prepare one song and bring sheet music in the correct key for the accompanist

·          Fiddle players should prepare one song and bring their instrument 

·          Candidates may be asked to dance and should dress comfortably with appropriate footwear; step dancers should bring tap shoes

Additional Notes

  • Candidates may be asked to return for a callback later in the day; this will be confirmed at their audition
  • Candidates must be available for the entirety of the contract, no exceptions
    • Dates: May 24 – September 3
    • Rehearsal schedule TBD, performance schedule is four shows / week 
  • Candidates selected for the production will receive an honorarium for their work, which will be paid in two parts: upon contract signing and after completion of the contract 
  • Candidates will be supervised by a child wrangler at all times

Theatre PEI

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Ground Zero

By Ed Staskus

   The General Hospital of the Immaculate Heart of Mary opened in Sudbury on Paris Street in 1950. It was the first English speaking not just French hospital in northern Ontario. It had a brick façade with a steel beam grid system. The parking lot was close to hand right at the entrance, which was handy if you were dragging a broken leg behind you.

   Nobody needed to speak English or any other language to get around. “They used to do this cool thing,” Ginette Tobodo said. “On the walls they painted certain colors, one color for the lab, another color for the cardiac department, and you just followed the color to where you needed to go. It was easy to find your way around.”

  Susan Cameron was the lead blast off. “The hospital was not officially open, but my mother was in labor,” she said. It was unofficial but necessary vital time sensitive. When it’s your time to be born, it’s your time, no matter what anybody officially rules on the matter.

   When I was born the next year in March 1951 everybody was already calling the hospital the ‘General.’ I don’t remember a single second of being in my mother’s womb. The next thing I knew there were bright lights, voices, a pair of scissors, a slap on my butt, and I was being held up for inspection like a hunk of ham. I couldn’t make out what was happening. Everybody was wearing clothes and I was naked as a jaybird. It seemed like I had come into being not knowing anything.   

   The whole thing was such a shock I couldn’t bring myself to talk about it for almost two years, by which time nobody wanted to hear about it.

   A man wearing a mask counted my toes and fingers and pinched my arms and legs. He stopped when he seemed satisfied. I wanted to ask him what he was doing but didn’t know how to talk. That month’s issue of Sudbury’s Inco Triangle newsletter had a poem called “Man’s a Queer Animal” on one of its inside pages.

   “With a lid on each eye, and a bridge on his nose, with drums in his ears, and nails on his toes, with palms on his hands, and soles on his feet, and a large Adam’s apple, that helps him to eat, with a cap on each knee, on each shoulder a blade, he’s the queerest thing made.”

   I looked myself over. I didn’t seem queer, but what did I know? I checked the other newborns but couldn’t see any difference between them and me. Were we all off the wall? I was reassured when I heard a nurse say, “They are all such little miracles.”

   Inco was the corporation that ran most of the mining in Sudbury. Its head man died a month before I was born. Robert Crooks Stanley was a mining engineer who patented many new refining methods including the Stanley Process. He became president of Inco in 1922, when the company was at a low ebb. He had to close operations owing to a loss of war orders. Six years later, recovering his poise, he launched a $50 million dollar building and expansion project. 

   When I came down the chute the mines were booming. My mom was getting her bag ready for the hospital the day Len Turner and Nifty Jessup arrived at the Bank of Toronto in the Donovan neighborhood, one of Sudbury’s oldest neighborhoods, with Inco’s weekly payroll. Going up the steps of the bank, the pay clerks were suddenly brought up short by two men armed with revolvers.

   “Let me have that case,” one of them snarled.

   Len made a grab for the man’s gun. The gun went off, the bullet slamming into the bank building. The bank was unharmed. The gunman grabbed the payroll case and the thieves drove off in a stolen car towards North Bay. For all that, they made a wrong turn, got trapped on Fir Lane and the Sudbury police, more of them and better armed than the bandits, rounded them up.

   “A little of that excitement goes a long way,” Len said to Nifty after they got their company’s payroll back.

   Sudbury came into existence in the early 1880s as a construction site for Canadian Pacific Railway that was laying tracks for a transcontinental line. It was a company town and all the stores and boarding houses and everything else were operated by the company. W. J. Bell cut down every tree he could see to supply the railroad, at least until the day the railroad was done and left town. It looked like the end of Sudbury.

   It was saved from stillbirth by prospectors who found vast mineral deposits, what became known as the Sudbury Basin. It is the third largest impact crater on the planet, when something big from outer space crashed there about 2 billion years ago. “By 1886 we knew Sudbury was going to be a mining town,” Florence Howey wrote. In that year mining and smelting was started by Copper Cliff. Seven years later the town incorporated itself.

   Meanwhile, Sam Richie formed the Canadian Copper Company in Cleveland, Ohio, which was an unknown place to me in 1951, although by 1959 I was finding out all about it since my parents, with my brother, sister, and me in tow, migrated there. At the turn of the 20th century Canadian Copper was merged with International Nickel, controlled by J. P Morgan, and moved to New Jersey.

   Sudbury’s nickel plating on warships helped win the Spanish-American War for the United States. Afterwards, the British and their international military cousins sat up and took notice. The arms race was on, and Sudbury was rolling in dough.

   Even though my mother and I had been inseparable for nine months, the next thing I knew I was being separated from her. I was carried to a nursery and spent the next week in the company of a gaggle of strangers. Half the time half of us were crying. The rest of the time we were sleeping or looking around for food.

   The boy next to me seemed to be hungry 24 hours a day. Whenever anything edible was within reach, he reached for it. “He’s a nice boy but he’s got more nerve than a bum tooth,” I thought, even though he was far off from cutting his teeth. A girl on the other side of me wiggled her legs and giggled. She started wiggling her arms, too. 

   I couldn’t take my eyes off her, baby fat and all. “That girl is fidgety as a bubble dancer with a slow leak,” I tried to tell the hungry boy beside me, but the words wouldn’t come, and besides he was eating again.

   The nurses gave us a bath every morning and fed us every three hours. The nurse who scrubbed me from tip to toe was all business. She tested the temperature with her elbow, soaped me up, and I went gently down into the water. One day something scared me, and I jumped like an electric eel. I was crazy slippery from the soap and slipped out of her hands. I landed face down in the baby bath. The commotion I caused would have made anyone think she was trying to kill me.

   When we were done with breakfast lunch dinner and snacks, which was all the same mush, they bubbled us, changed us, and put us back to sleep. I wasn’t fussy or gassy and slept like a log. As soon as I woke up, I was hungry again.

   The boys took it easy in blue beds and the girls in pink beds, what the bosses in white uniforms called cots. My mother got to stay in a room with another woman, chatting it up, eating in bed, and reading Woman’s Day, Good Housekeeping, and Ladies’ Home Journal. I saw her twice a day for a few minutes for some real food. One day my dad showed up.

   “Who’s that?” I wanted to ask.

   My cot was near a window. When I looked out all I could see was ice and snow. More than a hundred inches of snow had fallen that winter and there were snowbanks as far as the eye could see. The month before the thermometer had gotten stuck between 30 and 40 below for a week. It was still bitter cold. I pulled my blanket tight around me when I heard one of the nurses say, “It’s too bad we can’t take them out for a little airing.”

   The minerals in the Sudbury Basin had a high sulphur content and needed to be roasted before smelting. The open pits burned for years. The roasting yards puffed yellow gray clouds all around the compass. There were slag and mine tailing piles, soil erosion and blackened hilltops. When I was born Sudbury was largely barren and treeless. Everybody said that was the way it was. Everybody cashed their paychecks and got on with it. Tourists on their way somewhere else called the Sudbury Basin the Canadian Death Valley.

   I was an infant and didn’t have a clue that engineers and corporate executives can be a burrito short of a combination plate. The executives were sly dogs, though. What their mines paid in taxes was the equivalent of about one-half the revenue that Sudbury would have gotten if it had been any other heavy-industrial city in that part of Ontario. The national press was always saying my hometown was a “slum” or “a smaller version of Katowice, Poland.”

   My dad belonged to Local 598 of the International Union of Mine, Mill and Smelter Workers. It was the biggest trade union in Canada. Local 598 and Inco hated each other’s guts. The local built union halls and a children’s camp where we went to hear music and see movies. I saw Walt Disney’s “Treasure Island” and “The Littlest Outlaw.”

   It wasn’t like I needed a day off like my father and godfather, who worked long hours miles down in the ground. One day my godfather walked up to me at the camp and said, “What are you doing here relaxing? You haven’t worked a day in your life.”

   “You’ve got to love livin’,” I said.

   He coughed up a mouthful of mine dust and cigarette smoke and laughed. “If you aren’t laughing, you aren’t living, my baby boy,” he said, reaching for his Export A’s when my dad walked up, so they could kick back together for ten minutes.

   My baby days were behind me, but I let it slide.

   My parents didn’t live in Lively or Onaping Falls, where class and race paid the bills. Little Warsaw was where the Poles lived. Little Italy was under a line of smokestacks and the Italians lived there. I ended up living in the middle of town where the East Europeans and Finns lived. The Finns liked to wrestle and ski, although not at the same time. My parents and their friends liked to play cards smoke drink and dance. They worked like Puritans, though, saving their money, so they could get ahead. They left the DP camps of Europe in the late 1940s on separate freighters with a duffel bag and enough cash to buy a snack.

  When it came time to pack up, I wasn’t ready. I had gotten used to the nursery and had made friends. I learned soon enough that all good things come to an end. It was a sunny day towards the end of the month when my dad gathered my mom and me up and took us home. There weren’t any crocuses showing, but most of the snowpack had melted away.

   The General did fine work by me. I was hale and hearty when I got to what I found out was home. I had been living on the bottle, but my mom switched the menu up, feeding me herself. My parents lived in a small, rented house on Pine Street. My father was working in the tombs of outer space, taking all the overtime he could get, and was planning on buying a house on Stanley Street, just down the street.

   Sometimes the hospital couldn’t get it done and people took matters into their own hands. Edmond Paquette, an Inco pensioner in his 80s, had suffered a paralytic stroke that left him unable to walk. He vowed an act of penance, building a built-to-scale church inside a five-gallon glass carboy. When he was done, he stood up and walked across the room to tell his son-in-law Dusty that he had accomplished his mission.

   “You’re walking unaided,” Dusty exclaimed. 

   “It’s a miracle,” Edmond said.

Ed Staskus edits Theatre PEI. He posts stories on 147 Stanley Street http://www.147stanleystreet.com and Cleveland Ohio Daybook http://www.clevelandohiodaybook.com.

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Winter Night Stories

Friday, March 11

‘Stories & Songs for a Winter’s Night’.

You won’t want to miss this stellar lineup of poetry, music and story at the Kings Playhouse that offers a soothing balm for the end of a long, chilly week.

Betty Wang, Tanya Davis, Rachel Beck, Gary Evans, Scott Parsons Trio – who could ask for more?

Tickets are onsale now at: www.kingsplayhouse.com, by calling 1 888 346 5666 or in person at 65 Grafton Street in Georgetown.

Theatre PEI

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