All posts by Edward Staskus

Edward Staskus is a freelance writer from Sudbury, Ontario, and lives in Lakewood, Ohio.

Acadie PEI

Come check out “The Stories and Music of PEI’s Acadie”. We have two concerts on for March 04th at the Guild.

First up we have Gadelle with special guests Les Bouches Bees from 2:00 PM.

Next up is Sirene Et Matelot with special Guest Christian ‘Kit’ Goguen, shows starts at 8PM.

FREE General Admission on a first come first serve basis.

Thank you to all our sponsors for making this event possible.

# Carrefour de l’Isle-Saint-Jean#theguildpei#illumiNATION#2023CanadaGames#discovercharlottetown

Theatre PEI

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Up to the Challenge

UP FOR THE CHALLENGE- GARNETT GALLANT BUILDING SET FOR ‘NOISES OFF’ – ACT will present this outrageous comedy at Florence Simmons Performance Hall in May 2023.

The set for ‘Noises Off’, by Michael Frayn, is a major part of the show. This madcap farce follows a theatre troupe trying, but not exactly succeeding, to put on a play. The audience gets to see the action on and off stage, and thus the set has to be quite versatile! The two-story construction includes eight working doors and a window… as well as multiple sets of stairs and a full balcony that will support several actors at once.

Garnett Gallant has spent a half a century with the theatre industry in a variety of roles, including touring the world with the National Ballet of Canada. Building has always been a favourite interest, and when ACT (a community theatre) asked for his help in designing and constructing the set for ‘Noises Off’ in 2019, he was glad to oblige.

The set was completed in the winter of 2020 – because this production was scheduled to take place right as the pandemic shut everything down. Now, three years later, it will finally be staged at the Florence Simmons Performance Hall at Holland College in May.

The set had to be constructed in many small pieces, and then pieced together like a puzzle. The two storey set was built one floor at a time and then was placed in storage for three years! It will have to be fully erected and tested weeks before the show to make sure it works. Therefore this set will have to be moved and built and taken down…. Twice! It won’t be until very close to opening night that all the pieces will be assembled in one place, and the finishing touches are complete. Gallant is primarily concerned with safety. He says it is important for not just the actors, but for the entire team, to feel secure on this set, which comes apart and rotates during the show. Stay tuned for tickets to go on sale!

Theatre PEI

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Time is Candy

By Ed Staskus

   Three hundred and sixty-four days of the year parents tell their children to never take candy from strangers. Then, on the last day of every October they dress those same children up in masks and weird costumes and tell them to go out on the streets at night and either threaten or beg strangers to give them candy.

   Halloween is traditionally a holiday observed on the eve of the Christian feast of All Hallows, or All Saints Day. In the Middle Ages it was believed that restless souls of the recently dead wandered during the year until All Saints Day, when their fate would be decided. All Hallows Eve was their last chance to get revenge on their enemies before entering the next world. Some people, fearing the consequences, would wear masks to disguise themselves.

   It wasn’t until the first decade of the 20th century that Halloween began to be celebrated in the United States and not until the 1930s that children began trick-or-treating. Since then costume parties, haunted house attractions, and watching horror films have also become popular.

   When I was a child Halloween was a special night after a long day filled with anticipation. My brother and sister and our friends and I couldn’t wait for nightfall to head out onto the dark streets and ring as many doorbells as we could.

   On the night of the last Halloween, postponed several days by thunderstorms, my wife and I and a neighbor sat out on our porch, on the top lip of the stairs, on a cold but dry night, with our cauldron of chocolate treats. We long ago learned that anything mostly chocolate was “the good stuff”.

   As we put fun-size Milky Ways and Kit Kats into plastic pumpkins, coffin containers, and grab-and-go pillowcases, we started asking some of the kids in cute spooky super hero disguises coming and going up and down our walk what they liked about Halloween.

   “The most fun is dressing up,” said one girl, dressed as the Material Girl. “I’m an 80s rock star. I love Madonna.”

   We wondered if she wasn’t chilly because of the weather.

   “I’m not cold,” she said. “I’m insulated.”

   One boy was a walking bundle of towels.

   “Some safety pins and a lot of old towels and you’re warm,” he said.

   We asked a puffed-up little boy in white what he was.

   “I’m a cloud!”

   “What is that on your pants?”

   “Lightning!”

   “What are those spots?”

   “Rain!”

   “Is that your mom?”

   “She’s a rainbow. We go together!”

   A girl dressed as a witch said she liked seeing other kids in costumes.

   “It’s a time for them to dress up like they’re not, to just be someone they never could be before.”

   Others take a minimalist approach. When we asked one boy why his friend wasn’t wearing a costume, he said, “See, he’s on his cell phone. He’s not wearing a costume because he’s a businessman.”

   Some children delight in the scary side of Halloween, the ghost stories, monsters, and gory special effects.

   “I like Halloween because it’s fun, “said a boy dressed in a Warrior Wasteland costume. “People scare you a lot. It’s so amazing. I just like the horror of it.”

   Other children take delight in seeing their heroes in the flesh.

   A stocky six-year-old in black pants, a red over-sized jacket, a red hat, and an enormous black mustache told us he was Super Mario.

   “Because I am,” he said. “My happy time, it was when I saw BATMAN! I love Halloween!”

   Another boy dressed as Spiderman said Halloween was fun because “Kids dress up!”

   “I like Spiderman because he’s red and white. If I was Spidey, I would sling my webbing and save all the people.”

   In an MSNBC poll, adults were asked what their favorite part of Halloween was. More than 50 percent said it was seeing little kids dressed in costumes, while just 10 percent said it was eating candy. Our own unscientific poll revealed the exact opposite. Nine out of ten kids told us it was all about the candy.

   “Candy is the best thing that ever happened to me on Halloween,” said someone in KISS regalia

   “It’s my favorite season. You get all the candy. I’m a vampire,” said a girl with bloody fangs.

   “They should have more Halloween weekends, and pass out a lot more candy,” said a boy dressed as a pirate, waving a rubber sword. “I would put it all in my treasure chest.”

   Many children walked the streets in groups, the smaller ones accompanied by their parents. But one teenager rode up alone on a bicycle, wearing a Beavis and Butt-Head latex mask. He jumped off his bike, which clattered to the ground, and ran up our walk. We tossed chocolate bars into his bag, asking him what he liked about Halloween. Sprinting back to his bike, he turned around and shouted,

   “Can’t talk, time is candy.”

   Our chocolate bars moved briskly all night, followed by the lollipops our neighbor had brought.

   “You just wolf down candy bars,” said a girl dressed as Fluff N Stuff, “but you can play with suckers, click them against your teeth.”

   I asked several children what were the least-liked least-desired treats they had gotten. Among the worst offenders were Mary Janes, Necco Wafers, and Christmas ribbon candy.

   “I don’t even know what Mary Janes are,” said a boy dressed as Luigi, in blue overalls, a hat two or three sizes too big, and white gloves.

   “They taste like molasses sawdust.”

   The worst offender, however, turned out to be money. Towards the end of the night, we ran out of candy, and since all we could see on the street were some stragglers, we gathered up our loose change to hand out rather than race to the corner store.

   A small girl dressed as Popstar Keira, with a tiara on her head, came bouncing up the stairs smiling. My wife put some dimes and nickels into her extended hand. The girl looked at the coins and then up at us. She threw the coins down stamped her feet and started crying.

   “I don’t want money! I want candy!”

   She refused to be consoled until we finally found a full-size Hershey bar in our kitchen and brought it out to her.

   After the streets were finally empty and Halloween was over, my wife and I popped a big bowl of popcorn and watched George Romero’s “Night of the Living Dead.” The moon was big and round and the sky clear. The last of the thunderstorms were past.

   When my wife, who had never seen the old black-and-white horror movie, finally realized what the zombies were after, she said, “Oh, man, it’s the undead trick-or-treating.”

Ed Staskus posts on 147 Stanley Street http://www.147stanleystreet.com and Made in Cleveland  http://www.clevelandohiodaybook.com.

Theatre PEI

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Back to the Woods

Meet the brilliant COMPANY for The Guild’s upcoming Into The Woods (In Concert) on Friday, March 31 at 7:30pm, Saturday, April 1 at 7:30pm, and Sunday, April 2, 2023 at 2:00pm.

The Guild thanks our Title Sponsor, The Gray Group, and our Presenting Sponsor, BMO Financial.

With music and lyrics by Stephen Sondheim and book by James Lapine, Into The Woods is a musical in which classic Brothers Grimm fairy tale characters such as Cinderella, Little Red Riding Hood, Jack (and the Beanstalk), and the fabled Witch are brought together to meet a childless Baker and his Wife.

An extraordinary journey of humanism and emotion, Into The Woods is a musical in which obstacles are met, challenges overcome, and dreams are really magic!

Into The Woods (In Concert) features a cast of fourteen professional musical theatre talents:

Rebekah Brown (Lucinda), Caroline Burton (Rapunzel), Jessica Gallant (Cinderella), Rebecca Guilderson (Witch), Jacob Hemphill (Milky White, Steward), Glenda Landry (Jack’s Mother, Stepmother, Granny), Melissa MacKenzie (Baker’s Wife), Kristena McCormack (Little Red Riding Hood), Rebecca Parent (Florinda), Hugh Ritchie (Rapunzel’s Prince), Brandon Roy (Cinderella’s Prince | Wolf), Dylan Sharp (Jack and the Beanstalk), Christopher Wilson (Narrator, Mysterious Man), Braeden Woods (Baker), and is

accompanied by Morgan Saulnier (piano).

Tickets: $30.00 General Admission, $25.00 Students, Seniors, Arts Workers

(additional taxes and service fees apply)

Advance purchase: https://tproatlantic.ticketpro.ca/…/Guild_IntoTheWoods

Further information: 902-620-3333

Theatre PEI

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Get In On the Panel

Newcomers in the Performing Arts; A Panel Discussion will be held on Friday, March 10th at 2pm in the Rotary Auditorium at the Charlottetown Library Learning Centre with an important conversation between mediator, Mark Carr-Rollitt (Transform Events & Consulting, DiverseCity) and a panel of local immigrant Performing Arts professionals. There will also be light refreshments and entertainment. Looking forward to seeing you all there as we work to bridge the gap of connection and communication between the performing arts and newcomer communities🎭

Theatre PEI

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Birds of a Feather

The Second Annual Watermark Children’s Theatre Festival
 
Two productions will be featured in the Second Annual Watermark Children’s Theatre Festival this Spring. Birds of a Feather by Robert Watson, produced by Neptune TourCo of Halifax, from March 31st to April 2nd, and What If by Katey Hoffman, produced by Geordie Theatre of Montreal from April 14th to 16th. Both plays are for ages 5+ with tickets costing $8 for students and $12 for adults. All shows are at 1:00PM.
 
Birds of A Feather is a play about two youngsters who meet in Hawaii and discover they share a love for the wildlife around them. Through dance and make believe Violet and Sarah learn that birds come in all sorts of varieties; just like families. As they observe the lives of two playful albatross, the youngsters learn about compromise, believing in yourself, and that family is made up of the people you love. Directed by Rebecca Wolfe, starring Ella MacDonald and Moneesha Bakshi, designed by Lucas Arab, Kaelen MacDonald, and Ryan Rafuse.
 
What If tells the story of Nicky, who wakes up every day with knots in her stomach and worries in her brain. While most kids can’t wait for recess so they can hit the playground, anxious Nicky would rather spend her time safely hidden away in the school’s sick room with her Big Book of Birds. In the sick room, Nicky can enjoy her routine in peace and quiet – but when Milo, a rambunctious boy with diabetes, comes barreling into her life, Nicky’s peace and quiet turns to chaos! At first, these polar opposites’ worlds collide, but as time goes on, cautious Nicky and adventurous Milo both come to discover they may have more to learn from each other than they think. Directed by Amanda Kellock and starring Symantha Stewart and Jackson Thouret.
 
Tickets can be purchased at http://www.ticketwizard.ca or by calling the box office at 902-963-3963.
 
For more information please contact Lara Dias at 902-963-3963 or admin@watermarktheatre.com
 
Watermark Theatre
57 Church Hill Ave                
North Rustico, PE                
C0A 1X0           
(902) 963-3963
http://www.watermarktheatre.com

Theatre PEI

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Dead Man’s Curve

By Ed Staskus

   Maggie Campbell was almost 22 years-old the morning she drove face first into a cement truck. She was driving a yellow 1973 coupe a girlfriend of hers at the Bay Deli, where they both worked, had sold her for one hundred and eighty-five dollars in cash. It was a rust bucket, but it was a Jap car so the two hundred thousand miles on it hadn’t made a dent in it running, at least not yet.

   She had gotten up late that frosty spring morning and shoveled down a Fudgsicle, a hot dog, and a cup of joe for breakfast. “I better go,” she said to herself, throwing the Fudgsicle stick in the trash with the other Fudgsicle sticks.

   Her roommate and she were sharing a small house on Schwartz Road behind St. John’s West Shore Hospital in Westlake. She was late for class at the Fairview Beauty Academy. She bolted out to the car. When she got into it, she couldn’t wait for the front window to defrost more than the small square absolutely needed to look through. She was squinting through one square inch of windshield taking the curve at Excalibur Ave. and bopping to Jan and Dean on the radio.

   “It’s no place to play, you’d best keep away, I can hear ’em say, won’t come back from Dead Man’s Curve.”

   “I never touched the brakes,” she said after hitting the cement truck headlong.

   The truck was parked on her side of the street. The front end was facing her. That was the first surprise. She knew she was on the right side of the street as she came around the curve since she could see full well out her driver’s side window. At first, Maggie didn’t know what happened. The second surprise was that when she tried to get out of her car she couldn’t move. When she looked down to see why she couldn’t move she saw the steering wheel jammed into her legs. She was sandwiched between the wheel and the seat. Some days you are the dog and other days you are the fire hydrant.

   She finally got out of the car by swinging one and then the other leg over the steering wheel. Standing next to her coupe, looking at the man suddenly standing in front of her, she realized why no one had come to help her. He was white as a ghost. The rest of the cement men behind him looked like they were looking at a ghost, too. They thought she had died in the car, which had turned into scrap metal in an instant.

   “I tried to wave you off,” one of them said.

   “Hey, here’s a clue, bub, I didn’t see you and I didn’t see the truck,” she said. “Thanks for the heads up, but I didn’t see anything.” The next thing she knew a woman walked up to her and shoved Kleenex up her nose.

   “You better sit down,” she said.

   “That’s OK,” Maggie said. “I’m good. Besides, I’ve got to get to school.”

   “No, you better sit down. I’ve called an ambulance. They should be here in just a minute.”

   “Seriously, thanks, but no. I just bumped my nose.”

   She sat Maggie down. When she did Maggie’s white beauty school skirt rode up and she saw her mangled knees. The skirt was bleeding.

   The convertor radio underneath the dash had slammed into them. Even though she couldn’t feel anything bad, she could see shinbones and a thighbone. That looks bad, she thought. It had only been a minute since she had gotten out of the car. The front end of it was jack-knifed. She left patches of raw skin behind her on the front seat. 

   It was when the excitement was over that she went for real. She lost her eyesight. It was her next-to-last surprise. She blinked. It didn’t help. She blinked again. It still didn’t help.

   “Everything’s gone fuzzy, like an old TV on the fritz.”

   “Just close your eyes. The paramedics are here.”

   “OK, open your eyes,” one of the paramedics said.

   “Are they open?” she asked.

   “Yeah,” he said.

   “Are you sure? I can’t see anything.”

   “Is it like in a closet, or more like the basement, with the lights all out?”

   “A closet or a basement? What kind of as question is that? Oh, my God, you are such a smart ass. Who sits in a dark closet except crazy people?”

   They laid her down and out in the ambulance and, suddenly, her sight came back.

   “It was just the shock,” she told them.

   “Stop self-diagnosing,” the medic said.

   “I was a lifeguard at the Bay Pool. I know my stuff!”

   St John’s West Shore Hospital must have thought she was younger than she was. Underage is what they thought, so they called her parents. Her mom was on the way, they said. It was Maggie’s last surprise.

   “You did what? You called who? I’m 21-years-old. You didn’t need to call my parents.”

   “It’s done.”

   “You rat bastards!” Maggie was beyond mad. She hadn’t talked to either of her parents for more than a year. “Fuck off and die” had been the last thing she had said to them.

   She planned on moving out as soon she turned 21, but her dad didn’t want her to grow up or move out. Maggie wanted both, to be 21 and gone. Her parents wanted her out, too, but they didn’t want her to go, either. When she told them she would be leaving the day of her birthday, first, they slapped the crap out of her, and then they threw her out of the house. She had no money, no clothes, and nowhere to go.

   She called her dad from a phone booth about picking up her clothes.

   “If you come grovel for them, you can get them out of the trash,” he said.

   “You keep them, dad, because I’m not going to grovel.”

   At the very least they raised a true-blue Scottish kid, Maggie thought. She never knew if her dad really threw her clothes in the trash because she never called or went back, at least not for the clothes.

   Her mom burst through the emergency room door at St. John’s at the same time as her dad got her on the phone. Before that she had been joking with the doctors, saying she cut her legs shaving.

   “Oh, my God, look at her legs!” her mom started shouting.

   “Who let that woman in here?” Maggie blew up.

   “Who’s the president?” her dad asked over and over on the phone until the line went dead. The next thing she knew her whole family, sisters, brother, her dad rushing in from work, were all in the room, and then the adrenaline started to wear off fast. She had been laying there, not too panicked, and suddenly her constitutional joy juice was all gone. She hurt like hell. She went banshee.

   AAARRRGHHHHHH!!

   Her younger sister started crying and everybody got so upset about her crying that they put her in her dad’s lap. Her mom stroked her hair. Maggie was left on her back on the table in pain and agony, ignored and all alone until a nurse finally wheeled her away to surgery. No one noticed she was gone.

   At the end of the day, what happened wasn’t off the charts. She broke her nose and had two black eyes along with a concussion. One of her teeth was loose. She hurt both of her knees. One of them had to be operated on. She was released three days later. A policemen told her afterwards if she had hit the back of the cement truck instead of the front she would have been decapitated.

   If that had happened and she had been driving a rag top instead of her hard shell, then “HEADLESS GIRL IN TOPLESS CAR” would have been the headline on the front page of the next day’s West Life News. As it happened, she ended up in the middle of the back page.

Ed Staskus posts on 147 Stanley Street http://www.147stanleystreet.com and Made in Cleveland http://www.clevelandohiodaybook.com. To get the site’s monthly feature in your in-box click on “Follow.”

The Sooner the Better

 the lifeline for Canada’s entertainment industry

The Reactivation program deadline is Friday, March 10, 2023! If you work in live performing arts, $2,500 may be available for you. Apply today – the application has been simplified and is easier than ever – https://www.artsreactivation.ca/.

La date limite pour appliquer au Programme de réactivation de l’AFC est le 10 mars prochain ! Si vous travaillez dans le domaine des arts de la scène, vous pourriez recevoir 2500$. Soumettez une demande dès maintenant. Le processus a été simplifie pour le rendre plus accessible – https://www.reactivationdesarts.ca/.

The Reactivation Program is funded by Canadian Heritage.

Le Programme de réactivation est financé par Patrimoine canadien.

Theatre PEI

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