THANE DUNN WITH SPECIAL GUEST BILL BAIZE OF THE STAMPS QUARTET
40 years ago the world lost the King of Rock and Roll. On August 24, come and celebrate the life, the music and the man who is still loved by millions to this day with the best in the business…
Don’t miss International World Champion Thane Dunn with extra special guest, direct from Nashville, Tennessee, Mr. Bill Baize of the Legendary Stamps Quartet who performed with Elvis from 1971-76. It’s like stepping out of a time machine and into the coolest decade ever with new songs, new suits and more of the world class magic that you’ve come to expect from Thane Dunn and the Cadillac Kings. Get your VIP pre-show meet and greet tickets while they last.
Elvis is at the Harbourfront Theatre on Thursday, August 24th at 7 PM.
Anishnaabe artist, Robert Houle, a member of the Sandy Bay First Nation, near Winnipeg, Manitoba, recently attended the opening of the Confederation Centre Art Gallery’s major permanent collection exhibition, RE:collection, and made introductory remarks and presented a public art talk on his 2017 painting, O-ween du muh waun (We were Told).
Commissioned by the Confederation Centre Art Gallery (CCAG) to mark the 150th anniversary of Canadian Confederation, with funds from the A.G. and Eliza Jane Ramsden Endowment Fund, Houle’s oil on canvas triptych is a very timely consideration of the long First Nation’s presence in this land and more generally the idea of history painting.
Houle’s work is a major addition to the Gallery’s collection and specifically the Confederation Murals Series, which includes works by Jean Paul Lemieux, John Fox, and Jack Shadbolt, commissioned in 1964, and work by Jane Ash Poitras, Yvon Gallant, and Wanda Koop commissioned in the 1990s.
Houle’s new painting is a further elaboration on his 1992 work, Kanata (collection of the National Gallery of Canada), in which he appropriates and reimagines the composition of Benjamin West’s 1770 painting, The Death of General Wolfe. West’s painting famously mythologized the battlefield death of the British general who led his troops to victory in the 1759 Battle of Quebec. Houle drew all the figures in West’s composition in conté, reserving colour for only the Indigenous figure in the foreground.
In his new work, O-ween du muh waun (We were Told) Houle focuses exclusively on this same Delaware warrior figure, seated on the Plains of Abraham, and facing east. He eliminates all the other figures from West’s composition. Like much of Houle’s work, O-ween du muh waun (We were Told) addresses current political and cultural issues by looking to history. As Canada looks towards a reconciliation with First Nations, Houle’s painting stands as an important marker within the CCAG’s collection and the RE:collectionexhibition as it explores the building of a Canadian art collection as an optimistic mission and a reflection on the evolving country, its history, geography, people and communities.
“The [Canada] 150 idea was not an issue for me, but rather a correction to clarify that my sense of country dates back further than 1867,” Houle offers, explaining his visions around the new work. “Our friendship and numbered treaties are also preceded by the presence of our ancestors going back millennia; as well as the whole question of the historical painting by such artists as Benjamin West.”
Houle was born in St. Boniface, Manitoba, in 1947 and currently resides in Toronto. He is widely acclaimed for bridging Indigenous history and contemporary art. In 2015 he received the Governor General’s Award in Visual and Media Art for his significant contributions to Canadian art.
O-ween du muh waun (We Were Told) is on display in Upper West Gallery at the CCAG until December 31.
This witty and charming comedy by Norm Foster, impeccably brought to life by Martha Irving and Lee J. Campbell, will get you laughing and leave you thinking.
Confederation Centre has pulled back the curtain on a dazzling lineup for the upcoming season of Sobeys LIVE @ the Centre. Centre officials are proud to present their most dynamic season of LIVE to date, including contemporary dance, chamber music, Indigenous performance, choral concerts, rock’n’roll, family fun, and live theatre.
The advance ticket sale for Members of the Centre’s Founders’ Circle is available as of noon on Monday August 14. E-news subscribers will be able to purchase tickets as of Tuesday August 15 at 9 a.m., while tickets for the general public will be available as of 9 a.m. on Wednesday August 16.
The ’17-18 season kicks off on October 16 with major pop-rock icons, The Barenaked Ladies and their Canada 1-FIVE-0 TOUR, presented by the National Arts Centre. October 24 marks the return of Canadian troubadour Joel Plaskett, joining his father Bill Plaskett for a collaborative show in the Homburg Theatre to celebrate their duo album, Solidarity.
November is jam-packed month with 11 shows on deck. These include Liam Corcoran’s album release for Nevahland; the Island premiere of A Passage to Bollywood, a rollicking family musical experience; the return of Classic Albums LIVE with the prog-rock classic 2112 by Rush; and a one night only musical comedy performance of the international hit, Menopause the Musical.
The holiday season is equally busy in December with Tomato/Tomato’s A Maritime Christmas channeling old school holiday concerts with special guests Heather Rankin and Dave Gunning. From December 14-16, Adam Brazier’s Holiday Spectacular variety show brings big laughs, guest stars, stunning dance and musical numbers, and sketches to the mainstage.
Sprinkled throughout December, the Choral Music Programme – under the direction of Donald Fraser – presents three beloved annual concerts, with Handel’s Messiah, Sing Noël, and Sing Along Messiah.
The 2018 portion of the LIVE calendar is equally exciting, and more stacked than ever with the theatre renovations now complete and no more closures planned. January offers critically acclaimed Indigenous artist Susan Aglukark as well as the return of Toronto Dance Theatre (TDT). TDT has produced an exceptional body of original Canadian choreography and had a major impact on the development of national dance audiences.
Other highlights in 2017 include Island artists The East Pointers, Dennis Ellsworth and Kinley Dowling, and The Atlantic String Machine. The Songwriters Series also returns with three heavy hitting raconteurs from Canada’s East Coast: Old Man Luedecke, Hillsburn, and Fortunate Ones, each performing for one night only in the intimate listening space of The Mack. Fellow Maritimer, Classified makes a rare Charlottetown appearance on April 14, with a special acoustic performance with guest artists entitled Classified and Friends.
The Centre’s own dance umbrella program culminates their 2017-18 instructional season with four public performances — musical theatre romps The Nifty Fifties and All the World’s A Stage in March and April at The Mack, and the matinee and evening Annual Showcases, May 5 on the mainstage.
For ticket information and the entire Sobeys LIVE @ the Centre season calendar please visit confederationcentre.com/live or contact the Confederation Centre box office at (902) 566.1267 or toll free, at 1-800-565-0278. Special thanks are extended to the Government of Canada for their support of Confederation Centre; as well to Sobeys, the returning title sponsor for LIVE @ The Centre. Media sponsors are The Guardian, Hot 105.5, and Ocean 100.
Art in the Open returns for its seventh year with an inspiring array of FREE, all ages events and contemporary art works by locally and nationally renowned artists.
The main event, Saturday August 26 from 4 p.m. until midnight, historic downtown Charlottetown will become an open air gallery presenting ephemeral works of public art. Each year numerous generous sponsors, artists and volunteers, come together to infuse creativity and beauty into the public spaces of the city. In total, there are about 40 artworks, installations and performances for people to discover and interact with.
Since its introduction in 2011, Art in the Open has become a well-loved and inspiring festival that takes pride in transforming many of downtown Charlottetown’s green spaces. “The City’s historic buildings and open green spaces provide the perfect canvas for Art in the Open and we are so proud to host this amazing event each year,” said Charlottetown Mayor Clifford Lee. “Attending this event is such a unique experience and I encourage residents and visitors to explore the city during this magical evening.”
Formed out of a partnership among the City of Charlottetown, this town is small, inc. and the Confederation Centre Art Gallery, the annual festival showcases a variety of contemporary art set within historic downtown Charlottetown. Co-curator and festival organizer Becka Viau encourages festival goers to park their preconceptions of contemporary art and take their time strolling through the festival sites, exploring the diverse program.
“To truly Art in the Open, one must be open to making unexpected memories,” said Viau. “You don’t need a set plan, but there will be some scheduled performances that should not be missed, like the Carnavale en Promenade at 4 p.m. on Victoria Row and Lennie MacPherson at the Grafton St. loading dock of Confederation Centre of the Arts as Pelly McGeogeghan – Spoutist, who will have you in stitches every hour on the hour from 6 p.m.- 10 p.m. But overall, my advice for festival goers is to plan for a journey of the imagination, that can take a few hours, and have FUN!”
Again this year, Art in the Open has attracted some extremely high-profile artists. Festival goers can look forward to a variety of new programming as well as a few fan favourites. Artist in residence at this town is small, Rémi Belliveau is a multi-disciplinary Acadian artist who will be joining us from Moncton, N.B. His project, Passe-Pierre, is an outdoor installation and performance that explores the notion of Acadian rurality through the culinary traditions of goose tongue greens and Island potatoes with the local Acadian community while hearing their stories.
Millefiore Clarkes, will present SOFT SNOW, a projection and live performance will present a contemporary classical score in an immersive experience that combines musical performance for three voices, flute, and piano, with a large-screen video projection. Music composed by Gerard L. Clarkes.
Alongside the new programming, organizers say festival goers can expect to see a few fan favourites again this year such as the March of the Crows, an annual parade where hundreds of local residents dress up in handmade crow costumes. On August 16th and August 24th, we invite the community to join our Crow Costume Workshop which will take place at the Schurman Family studio at the Gallery between 5 p.m. – 7p.m. Material will be provided, but we encourage bringing any special sparkly treasures.
The festival is presented by the City of Charlottetown, this town is small, La Fédération culturelle de l’Île-du-Prince-Édouard, Island Media Arts Cooperative, The Architects Association of PEI, Discover Charlottetown and the Confederation Centre Art Gallery. With support from many community partners; KENT, Sobeys, Upstreet, Maritime Electric, The Dunes, Stantec, The Ten Spot, PEI Crafts Council, Synergy Screens, Charlottetown Area Development Corporation, Wicked eh?, Bell Aliant, Receiver Coffee Company, Playing with Choir, East Coast Art Party, and Downtown Charlottetown Inc.