New Works at the Gallery

Winter 2018 Will Bring New Exhibitions to the Gallery

New works, historical postcards, and visual movements

A young Island artist, a gifted amateur Island photographer, and videos by 11 well-known Quebec artists make up the Gallery’s new winter lineup of exhibitions.

Norma Jean MacLean’s exhibition Accumulated, Positioned, Reflected is a selection of her recent work where she explores the aesthetics of improvised layering, piling, and accumulation. MacLean is a part of the Art Gallery’s Emerging Artist Program that is supported by the RBC Foundation. Curated by the Gallery’s Pan Wendt, the exhibition will be on display from January 13 to April 28.

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William Steele Louson was a gifted amateur photographer from Charlottetown. Wish You Were Here: W.S. Louson’s Picture Postcards of Prince Edward Island showcases his photographs of picturesque Island landscapes that were reproduced on postcards. This historical exhibition captures a period in the 20th century when the public interest in buying and selling postcards was a new mania. Curated by Gallery guest, Harry Holman, the exhibition will be on display from January 20 to April 21.

Motion is a visual anthology that shows the work of 11 Quebec artists. The theme of “motion” is understood in two ways: as movement and as a proposal. This exhibition was organized and circulated by Galerie de I’UQAM and curated by La Fabrique d’exposition, and a collection of Montreal curators: Julie Belisle, Louise Dery and Audrey Genois.

“The new exhibitions will see the art gallery transformed yet again,” says Gallery director Kevin Rice.  “I am looking forward to Norma Jean MacLean’s new paintings and installations; Harry Holman’s research on W. S. Louson’s early 20th century landscape photography (which circulated primarily on postcards); and the videos by 11 well-known contemporary artists based in Quebec. These exhibitions will provide audiences with a wonderful diversity of artworks.”

And this is your last chance to see John Greer: Material and Metaphor exhibition which closes January 14, 2018.

The Gallery winter/spring hours run from January 1 until May 20, welcoming the public from Tuesday to Saturday, 11 a.m.- 5 p.m. and Sunday 1-5 p.m.

A description of each exhibition can be found on the website at http://www.confederationcentre.com/en/exhibitions.php.

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Why Charlottetown Looks Like Charlottetown

From Housebuilder To Architect: C. B. Chappell’s Charlottetown Celebrated With Opening Reception at the Confederation Centre

The Confederation Centre Art Gallery is celebrating Canadian Heritage Week and the legacy of Victorian architect C. B. Chappell, one of P.E.I.’s most prolific architects. The public is invited to the official opening for the new exhibition From Housebuilder to Architect: Charles B. Chappell’s Charlottetown on Thursday February 18 in the gallery, sponsored by the City of Charlottetown. All are welcome and there is no cost to attend.

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A reception with Mayor Clifford Lee will take place at 6:30 p.m., followed by an art talk at 7:30 p.m. with Exhibition Curator Harry Holman, a former provincial archivist, historian, and heritage blogger.

”The work of C. B. Chappell is all around us and has made a huge impact on the look of Charlottetown,” says Holman. “This exhibition gives a glimpse into the world of this important figure in the city’s history.”

Working in the city for a span of 50 years, Chappell and his partners have left a mark which is not always recognized. A dozen of the buildings facing Queen Square are his work as are numerous residences throughout the city. His surviving structures such as City Hall, Zion Presbyterian Church, St. Paul’s Anglican Church Hall, the old Prince Edward Island Hospital on Kensington Road, and several stores on Victoria Row, attest to the fact that Chappell has been responsible for more buildings in Charlottetown than any other architect in the city’s history and has helped define the look of the capital.

The exhibit is open, by donation, until May 1, 2016.