Tag Archives: Leah Pritchard

Going Local

Local Actors Featured in Watermark 2019 Acting Company

Watermark Theatre is thrilled to announce their 2019 Acting Company, featuring two local PEI actors, two actors from Halifax, and two from Toronto. Cornwall born and Emyvale raised Jenna Marie joins the company for her first season while Jacob Hemphill, born and raised in Summerside, returns for his 2nd season. Well known to Watermark audiences, Leah Pritchard, joins the company once again for her 5th  season while Kathyrn McCormack, Warren Bain, and Alexandra Montagnese are all newcomers to the company.

8c5070ee-fd07-4261-a66b-b87819549d44

A 4th year student studying Theatre and Opera Performance at Dalhousie University in Halifax, Jacob Hemphill was seen in last summer’s Watermark productions of Dial M For Murder and A Moon For The Misbegotten. His other credits include: The Sound of Music, The Wizard of Oz, Peter Pan (Confederation Centre); and My Fair Lady (The Grand Theatre).

Jenna Marie attended Holland College School of Performing Arts the first year the program became available. After completing the program, she was accepted to Randolph Academy for the Performing Arts in the heart of Toronto. Since coming home, Jenna Marie has had the opportunity to play roles such as Chiffon in Little Shop of Horrors (ACT Community Theatre), Jill in Skin Flick (ACT Community Theatre) and her favorite role to date, Mary in Mary’s Wedding (Sandstone Theatre Company).

Leah Pritchard is an actor from Halifax who has starred in numerous Watermark productions. From the part of Lizzie in The Rainmaker to the part of Vivie in Mrs. Warren’s Profession and other memorable roles in The Lion In Winter, An Ideal Husband, The Glass Menagerie, and Barefoot in the Park. Since gaining her BFA from Memorial University, she has worked as an actor and singer across Newfoundland (Theatre NL, Gros Morne), Nova Scotia (Neptune, Xara Choral Theatre, Villain’s Theatre), and Ontario (Tangled Arts + Disability).

Halifax based Kathryn McCormack is very familiar with the north shore of PEI as she spent her summers in Stanley Bridge. She was named Best Theatre Actor in the Coast’s “Best of Halifax” issue and has been nominated twice for the Theatre NS Merritt Award for Best Supporting Actress for her roles in Cinderelly and Alice in Wonderland (Shakespeare by the Sea). Other credits include: This is Nowhere, Archive of Missing Things (Zuppa Theatre Co.), It’s a Wonderful Life, Miracle on 34th Street (Neptune Theatre), Othello, Twelfth Night, Much Ado About Nothing (Shakespeare by the Sea).

Warren Bain has spent eight seasons with the St. Lawrence Shakespeare Festival as both actor and assistant director. Other credits include: Weekend Comedy, A Christmas Carol (Orillia Opera House), The Great Kooshog Lake Hollis McCauley Fishing Derby, Miracle on 34th Street (Upper Canada Playhouse), And Then The Lights Went Out (StageWest Calgary). He is a BFA Ryerson University graduate, Co-Artistic Director of Bain & Bernard Comedy, and an Artistic Associate with Sheatre.

Alexandra Montagnese is a founding member of the Montreal-based Jot & Tittle Puppetry Collective and a core company member of Lucid Ludic in Toronto. Alexandra has performed several one-woman shows including Suddenly, There by Michael Lake, which had its debut at the Atlantic Fringe Festival in 2014. Her own one-woman show Public Mischief won pick of the fringe at Kingston’s Storefront Fringe. Alexandra has performed with Theatre Direct, Thousand Islands Playhouse, Young People’s Theatre, Shakespeare in Action, Theatre Kingston, and Theatre Rusticle. Alexandra holds a BA from McGill and an MFA from York University.

All of these fine actors will be appearing in Boeing Boeing by Marc Camoletti and Crimes of the Heart by Beth Henley throughout the summer months as well as taking part in the Watermark Play Reading Series. Most will also teach acting classes in the company’s Teenage Acting Conservatory.

Boeing Boeing runs from June 25th to August 31st
Crimes of the Heart runs from July 5th to August 30th
The Play Reading Series is on August 7th, 14th, and 21st
The Teenage Acting Conservatory is from July 22nd to Aug 2nd

For more information, or to set up an interview with any of the actors please contactAndrea Surich at 902-963-3963 or generalmanager@watermarktheatre.com

Watermark Theatre
57 Church Hill Ave
North Rustico, PE
C0A 1X0
(902) 963-3963
http://www.watermarktheatre.com

Watermark Theatre is a proud member of the Professional Theatre Network of PEI.

The Guild, Watermark Theatre, Harbourfront Theatre, Confederation Centre for the Arts, and Victoria Theatre.

28660348_162333201093170_735205771249634989_n

Mothers and Daughters On Stage at the Watermark Theatre

Barefoot in the Park and Mrs. Warren’s Profession, the two plays on this summer at North Rustico’s Watermark Theatre, both feature a mother-daughter relationship at their core, and Leah Pritchard and Gracie Finley will play daughter and mother in both plays. A unique situation that has both actresses thinking of their own mother-daughter relationships in their own lives.

69c9135d-fec9-405f-bbbd-36274757525f

Leah Pritchard: “When I think about what connects myself and the characters I will be playing this summer, I believe what we share the most is the stage at which we find ourselves in life. Vivie Warren, Corie Bratter, and I are all at an age where we are learning to establish ourselves as adult women in the world. And I think one of the most surprising and challenging aspects of that growth, is figuring out how you relate to your parents as an adult. In particular, how you relate to your mother as a woman. We’re trying to assert our independence, and prove that we are different from our mothers, all the while trying to understand who our mothers are as women. Personally, my mother is one of the most important people in my life, and I love how complex our relationship has always been. No one supports me like my mom, but I also don’t argue quite so frankly with anyone else. I am looking forward to seeing how the complexity of that mother-daughter dynamic lends itself to my understanding of my stage mama, Gracie Finley. Just like with my mother, I share such mutual respect and trust with Gracie, from our many summers playing mother and daughter on stage, that I know there will already be trust, and a loving familiarity between our characters this summer.”

Gracie Finley: “When tackling a mother-daughter relationship in a play, all those dimensions and layers from my personal life come into play and this can certainly help on many levels in establishing a believable relationship on the stage. It can also be a problem. Not all relationships are based on my own personal experience of trust and unconditional love and sometimes these instincts have to be fought if the play asks for something else. I have a very close relationship with my own daughter, though like all mother-daughter relationships we have our differences, and one of the toughest lessons for me to have learned is that my daughter is a very different person from me. I have had to learn to accept, support and ultimately respect that, unconditionally. This will be my 4th season working with Leah. We were the only two girls in the company during her first season when she played my adopted daughter in “The Lion In Winter”. We shared a dressing room and quickly found we were kindred spirits in many ways. I have seen her grow in confidence and ability as an actress, and mature and develop as a person. We have developed a trust and bond I know we can bring to the stage. She is a lovely girl and a dynamite actress. I am so proud of her on so many levels.”

Performances of “Barefoot in the Park” begin June 27th and “Mrs. Warren’s Profession” gets going on July 7th.

Mrs. Warren’s Profession at the Watermark

George Bernard Shaw‘s scathing commentary on social hypocrisy and the excesses of capitalism, Mrs. Warren’s Profession, was banned from being performed in England when it was originally written in 1893 because of its frank discussion of prostitution.

mrswarren-web

Mrs. Kitty Warren worked her way out of the London slums and now lives abroad, having provided her daughter Vivie with the education and means to grow into a smart, independent young woman of strong convictions. When Mrs. Warren returns, mother and daughter discover that neither is the woman they thought they knew. A brilliant, provocative play by a master playwright.

Barefoot in the Park at the Watermark

The romantic comedy Barefoot in the Park ran for 1,530 performances when it first opened on Broadway in 1963making it Neil Simon’s longest running hit and one of the longest running non-musicals in Broadway history.

Barefoot-Web

A free-spirited bride and her buttoned-down groom settle down to some rocky happily-ever-aftering in a New York City walk-up, occasionally invaded by the bride’s wacky mother and the quirky bohemian who lives in the attic. Made into a movie starring Robert Redford and Jane Fonda, Barefoot in the Park is clever and hilarious, filled with snappy dialogue and witty one-liners.

Ready to Go at the Watermark

The Watermark Theatre is thrilled to announce casting for the upcoming 2017 summer season, the 10th in the company’s history. A few familiar faces and a couple of actors new to the Island will perform in the company’s productions of Barefoot in the Park by Neil Simon and Mrs. Warren’s Profession by George Bernard Shaw as well as taking part in the 2017 Play Reading Series. Joining previously announced actress Leah Pritchard, who tackles both lead roles this summer, will be Gracie Finley, Jordan Campbell, Ian Deakin, Jerry Getty, and PEI’s own Paul Whelan.

a0a22761-ae05-4595-966f-45180ce703ea

Returning for her 5th season, Gracie Finley will play the oddly hilarious Ethel Banks is Barefoot in the Park and the commanding Kitty Warren in Mrs. Warren’s Profession. Raised in Charlottetown with summers spent in Alberton, Gracie is well known to PEI audiences having played Anne Shirley in Anne of Green Gables: The Musical at the Charlottetown Festival from 1968 to 1974 and again in 1984 and 1985. For the Watermark, Gracie has performed in Blithe Spirit, The Glass Menagerie, The Shore Field, Alice in Wonderland, The Lion in Winter, Romeo and Juliet, and An Ideal Husband.

A veteran of Canadian Theatre, Ian Deakin has worked from coast to coast and spent 13 seasons at the Stratford Festival. Ian takes on the roles of the oddball Victor Velasco in Barefoot in the Park, and the nasty Sir George Crofts in Mrs. Warren’s Profession. In addition to his many years at Stratford, Ian appeared on Broadway with Christopher Plummer in King Lear at the Lincoln Centre, and Off Broadway at City Centre in Much Ado About Nothing and The Miser. Most recent credits include work at Theatre Calgary, Theatre By The Bay, Drayton Festival Theatre, Globe Theatre, and the Rose Theatre. PEI audiences may recognize Ian as Inspector Closely from a 2010 production of The Last Resort at the Charlottetown Festival.

Audiences will remember Jordan Campbell from our 2015 season when he played Benvolio in Duncan McIntosh’s stellar production of Romeo & Juliet. This summer Jordan tackles the role of the uptight Paul Bratter in Barefoot in the Park and the lovable cad Frank Gardner in Mrs. Warren’s Profession. Jordan is a Graduate of the Ryerson University Acting Program and since graduating in 2013 has had the great fortune of performing with Magnus Theatre in Thunder Bay, Globus Theatre in Bobcaygeon and Alehouse Theatre in Toronto.

Actor Jerry Getty has appeared in theatres across the country, including The Grand Theatre, The Stratford Festival, Persephone Theatre, and Magnus Theatre, amongst others. Some of his favourite roles are the title characters in Hamlet, Ethan Claymore, Wally’s Cafe and the one-man show, MacHomer. This summer Jerry plays the very funny Telephone Man in Barefoot in the Park and the sensitive artist Mr. Praed in Mrs. Warren’s Profession.

Paul Whelan has a long history and distinguished career in theatre on the Island having worked with Theatre PEI, Kings Playhouse, The Guild, ACT, and the Confederation Centre. Paul is a producer, production stage manager, director and actor. He directed ACT’s 25th anniversary production of Our Town and this past year a very successful production of The Laramie Project. As an actor, some favourite credits are: Lend Me A Tenor, Noel Coward in Two Keys, The Tempest, and of course Matthew, in Anne of Green Gables-The Musical. Paul will play the stern Reverend Samuel Gardner in Mrs. Warren’s Profession and will make a cameo appearance in Barefoot in the Park.

Entering her fourth season with the company, Leah Pritchard will play both lead roles this summer – the perky Corie Bratter in Barefoot in the Park and the complicated Vivie Warren in Mrs. Warren’s Profession. Last summer, Leah brought an incredible vulnerability and sense of wonder to her portrayal of Laura in The Glass Menagerie, and great comic timing to the dual roles of Edith and Mrs. Bradman in Blithe Spirit. Her other previous credits at Watermark were in The Rainmaker, The Lion in Winter, Romeo and Juliet, and An Ideal Husband.

Watermark is thrilled to have all of these fine actors in the company this summer and look forward to another busy season at the theatre in North Rustico.

For more information or to set up a phone interview with any of our actors please contact Andrea Surich at 902-963-3963 or generalmanager@watermarktheatre.com.
Watermark is a proud member of the PTN – Professional Theatre Network of PEI

Working Your Way Up

Leah Pritchard returns to the Watermark Theatre this summer playing the lead role in both main stage productions and she couldn’t be more thrilled. “I’m really looking forward to the challenge of playing two women who are such polar opposites,”says Leah. “I think it’ll be a summer season filled with fun and romance, as well as a healthy dose of girl power!”

Entering her fourth season with the company, Leah will play the perky Corie Bratter in Neil Simon’s Barefoot in the Park and the complicated Vivie Warren in George Bernard Shaw’s Mrs. Warren’s Profession.

2383fda4-12f7-4ae0-bf0c-2e135d389c00

After three summers of incredible performances, Artistic Director Robert Tsonos thought it was time to give Leah a high profile opportunity. “Leah has stood out in every role we have given her and I thought she was ready to carry an entire season”, says Tsonos. “She’s versatile, absolutely magnetic on stage, and exudes an intelligence and warmth that audiences have really responded to.”

Last summer, Leah brought an incredible vulnerability and sense of wonder to her portrayal of Laura in The Glass Menagerie, and great comic timing to the dual roles of Edith and Mrs. Bradman in Blithe Spirit. She first graced the stage of the Watermark as the plain spinster, Lizzie, in The Rainmaker, and then demonstrated her considerable acting range as the elegant Alais in The Lion in Winter, Peter and Balthazar in Romeo and Juliet, and the vibrant and witty Mabel Chiltern in An Ideal Husband.

Leah is a Halifax actor, originally from Lower Sackville, Nova Scotia. She has worked throughout the Atlantic provinces with such companies as Gros Morne Theatre Festival, and Hard Ticket Productions in Newfoundland; as well as Neptune Theatre, The Villian’s Theatre, And DMV Theatre, in Nova Scotia. In the fall of 2014, Leah sang with Xara Choral Theatre Ensemble on their debut album Here On These Branches, which was nominated for best classical recording of 2015 at the East Coast Music Awards.

When not on stage, Leah has also been a teaching assistant for Neptune Theatre’s youth theatre workshops, and has helped lead Watermark’s youth theatre acting conservatory for the past three summers.

The Watermark is delighted to have Leah back for the 2017 summer season.

For more information, or to set up a phone interview with Leah Pritchard please contact Andrea Surich at 902-963-3963 or generalmanager@watermarktheatre.com

Watermark is a proud member of the PTN – Professional Theatre Network of PEI.

Watermark Adds Matinee Performances of ‘Blithe Spirit’

Watermark Theatre is pleased to announce that two more performances of Blithe Spirit by Noel Coward will be added to the summer schedule.

Wed August 17th at 1:30PM
Sat August 27th at 1:30PM

00aa7c18-80be-40d9-b17d-0814230c5df3.jpg

Tickets for Blithe Spirit are selling so well that the company has decided to add two matinee performances to meet the high demand for this much loved comedy.

Directed by Alan Kinsella and starring Gracie Finley, Daniel Briere, Bryde MacLean, Suzanne Roberts Smith, Leah Pritchard, and Joshua Browne, the production has received universally positive reviews since opening earlier this summer.

“‘Blithe Spirit’ best comedy on P.E.I. Come to Watermark Theatre’s production to enjoy fun, fun and more fun” – The Guardian

“(Gracie) Finley was clearly enjoying herself, and so were we—she was flat-out wonderful.” – The Buzz

“If you’re looking for some cerebral comedy with a splash of slapstick, Blithe Spirit is the show for you.” – ONRPEI.COM

Researching his new novel, Charles Condomine invites the implausible medium Madame Arcati to his house for a séance. Arcati unwittingly summons the ghost of Charles’ dead wife Elvira who soon makes a play to reclaim her husband, much to the chagrin of Charles’ new wife Ruth. One husband, two feuding wives and a whisper of mischief in the air – Noel Coward at his comedic best!

Photo Credit: Bryde MacLean and Gracie Finley. Photographer was Mike Viau.

 

A Prism For Your Soul

The Glass Menagerie is 1,000 points of light being refracted into a kaleidoscope of emotion. It will give you many feelings, big and small. You may have feelings that you don’t know where they come from and you possibly never will. The performances are so raw they will reach you on a cellular level instead of an emotional one. Basically, The Glass Menagerie may break your heart into a million tiny pieces lying on the floor of the Watermark Theatre. You may not be able to mend it until you’ve had a good cry in your car after the show.

Glass-4336

In Watermark Theatre’s 9th season Robert Tsonos, in his 1st year as Artistic Director, introduced this classic written by Tennessee Williams who wrote his first play as a teenager in 1935. Williams was a cutting edge playwright & most widely recognized for winning two Pulitzer Prizes, with “A Streetcar Named Desire” (1947) and “Cat on a Hot Tin Roof” (1955). This play, I’m told, is partly autobiographical based on his college years in St. Louis providing him with a time & place for his first masterpiece.

Tsonos also took time to thank the interns that are part of the company this season as part of their Mentorship Program. We were talking with one of the stage hands during intermission who was grateful to get some hands-on experience through this program. Another example of how much this theatre continues to care about giving back to the next generation of talent. According to the program: This is a great set for learning. The theatre is small enough to be nurturing & large enough to have processes & policies in place to keep an intern safe.

In the early moments of the first act, Gracie Finley (raised in Charlottetown, trained in London, England, Ms. Finley is best known for playing Anne Shirley at the Charlottetown Festival from 1968 to 1974 and again in 1984 and 1985, being the first Islander to play Anne. She has had numerous roles at The Watermark including The Queen of Hearts in Alice in Wonderland, the Nurse in Romeo & Juliet, & Lady Markby in An Ideal Husband) pranced around the stage cleverly decorated with antique furniture (compliments to set designer William Layton who created a convincing depression era St. Louis atmosphere on this unique in-the-round stage) as she reminisced about her younger days of entertaining her multitudes of callers. In a most intense performance, she plays a mother who is extremely worried about the future for her daughter & feels as though something has got to give for better or worse. Finley in my opinion is the face of Watermark this year & gets my vote for MVP of this company.

Leah Pritchard (who has worked throughout the Atlantic provinces & helped lead Watermark Theatre’s youth theatre conservatory for the past two summers) plays Laura, a china doll of a woman who has a penchant for collection glass trinkets. In the grips of the shyness of her character often loses her composure. She displays convincingly that she lives with a disability & very low opinion of herself. I had high expectations of Pritchard’s portrayal of the sensitive, delicate Laura and I was not disappointed. Similarly, Gracie Finley did an outstanding job in her interpretation of the aged Southern Belle Amanda Wingfield. The play was the perfect vehicle for both performers and they pulled out all the stops.

Daniel Briere (who has spent the last 3 seasons at the Stratford Festival of Canada. Recent credits include Hamlet (Shakespeare Bash’d), Antony & Cleopatra, & Romeo & Juliet (Stratford Festival) makes an appearance as the much anticipated dinner guest, and Laura’s high school crush, Jim O’Connor. He is charismatic and dapper, and everything Laura deserves. The scene where Laura and Jim sit on the floor talking may be my favourite part of the show. This is where we see Laura turn into the ethereal, beautiful creature she has the potential to be. And the kiss was pretty spectacular as well.

Rounding off the cast of four, Joshua Browne’s (who has worked at IFT Theatre, Circlesnake Theatre, Theatre Gargantua & more) portrayal of Tom Wingfield is an excellent case study in how raw emotion can be conveyed just by standing still. I’m not sure what method Browne used to master the 1,000-yard stare Tom adopts, during critiques of his character by Amanda, who accused him of being as eloquent as an oyster, but it was effective. And universal. I felt scenes much like that one, between mother and son, were being played out in households all over the world in a million different languages. Often times getting poetic, the young low-wage warehouse worker spoke of magicians, late night travels, & a thirst for adventure. I must admit I was a little surprised to see him smoking on stage, but I later learned it was actually an e-cig, which is apparently acceptable indoors.

I’m not sure how much information to give about the much anticipated second half, for fear of spoilers, but it may not incorporate the ending audiences were hoping for. However, it could be the ending we needed in order to realize how invested we’ve become in the characters.

Robert Tsonos, who directed the play and is doing great so far as Duncan MacIntosh’s successor as Artistic Director for the Watermark Theatre this year did an amazing job in leading the cast and crew to create something, I hope, they will always be proud of. After the show, I think I heard Tsonos’s voice crack as he invited the audience to a reception. He seemed to be quite moved by the performance, and rightly so. Unfortunately, I couldn’t stay at the reception for long. I had to go to my car and cry.

This, much like other classics over the years in Rustico, is not light theatre, although there are plenty of laughs scattered throughout the script. The lesson I took from this play is the harsh reality present early in the Twentieth Century still holds true today that if we can’t believe in ourselves we simply cannot expect anyone else to & I can totally relate to that scenario, as I’m sure many others in the audience probably could at some point in their lives. Bottom line: Great show all around. If it is not the ending audience members are hoping for, they can read A Pretty Trap by Tennessee Williams. That oughta cure what ails them!

Review by Kimberley Johnston and PL Holden. Used by permission. Originally posted on http://www.onrpei.ca.

Blithe Spirit Transcends Time and Space

Director Alan Kinsella could help a cucumber sandwich achieve its fullest theatrical potential. I know this because I played witness to the managerial marvel at the Watermark Theatre in North Rustico Friday night. What he was able to do with a misbehaving wooden table during a séance was pretty impressive as well. With such direction, it is no small wonder the cast and crew of Blithe Spirit by Noel Coward pulled off a transcendent performance on opening night, July 15th.

blithe

The show was written in 1941 but the set, lights, and music were done in such a way the show could have been set in any decade. The play is no doubt British but, with some imagination and talent, it could take place in any village or city. That’s the joy of life, death and jealousy. The themes transcend both time and space.

Watermark stalwart Gracie Finley set the standard in her exuberant portrayal of Madame Arcati, a vivacious medium who unwittingly turns Mr. and Mrs. Condomimes’ lives upside down by granting Mrs. Condomine the Former, Elvira, a visit of indeterminate length. Mr. Charles Condomime is at first rattled by the sojourn of the free-spirited spectre and quickly becomes comfortable with the idea of being an ‘astral polygamist’. Charles is played marvellously by Daniel Briere who has a wide repertoire of facial expressions, reminiscent of Rowan Atkinson of Black Adder fame. Briere and Suzanne Roberts Smith (Elvira) play off each other nicely and make the relationship between Charles and Elvira quite believable and, oddly, not creepy.

Enter Ruth, Mrs. Condomime the Current, played by PEI native Bryde MacLean. Understandably, Ruth is not happy with the new living arrangement but she keeps a stiff upper lip. For a little while, anyway. MacLean’s portrayal of Ruth was fun to watch. It was exquisitely executed and made more visually arresting by MacLean’s resemblance to Anne Hathaway. Her presence was made ever more magnetic with the outfits put together by costume designer Kathryn Sherwin. MacLean’s absence for part of the show was very remarkable as I was excited to see what she would be wearing next.

Joshua Browne makes the most of his time on stage, as Dr. Bradman, who takes Madame Arcati’s jabs like a champ. I’m anxious to see Browne play Tom in The Glass Menagerie by Tennessee Williams on July 16th.

Leah Pritchard returns to the Watermark this year to work double duty in this piece; first as Edith, the ready-to-serve maid who may be more than she appears and, second, as Dr. Bradman’s chatty better half. I very much look forward to Pritchard’s portrayal of Laura in The Glass Menagerie. With Pritchard’s easy beauty, light complexion and nuanced performances, Laura may be the role she was born to play.

Robert Tsonos had a very successful first opening night as the new artistic director. Tsonos is no stranger to the Watermark stage and seems very eager to take on new responsibilities. In addition to his artistic director duties, of which I’m sure there are many, Tsonos will be directing The Glass Menagerie. Tsonos is making great strides in making the Watermark a community-integrated space. The theatre acts as a fine gallery for local artisans, serves local beer, and hosts a mentorship theatre program and teenage conservatory to foster the next generation of theatrical professionals.

Bottom line: If you’re looking for some cerebral comedy with a splash of slapstick, Blithe Spirit is the show for you. It’s playing now until August 27th at 7:30 p.m. on selected dates with one matinee on August 10th starting at 1:30 p.m.

Review by Kimberley Johnston. Used by permission. Originally posted on http://www.onrpei.ca.

Leah Goes Laura, and More

Leah Pritchard who first graced the stage of the Watermark Theatre as the plain spinster, Lizzie, in “The Rainmaker”, and then demonstrated her considerable acting range as the elegant Alais in “The Lion in Winter”, Peter and Balthazar in “Romeo and Juliet”, and the vibrant and witty Mabel Chiltern in “An Ideal Husband”, is returning for her third season with the Watermark Theatre. This summer, Leah will play one of the great roles of the 20th century theatre, Laura in “The Glass Menagerie”, along with the dual roles of Edith and Mrs. Bradman in “Blithe Spirit”.

1a3ac756-4774-4cd3-9591-6ab780769aa8

Leah is an actor rooted in the Atlantic region. Born in Nova Scotia and educated in Newfoundland, Leah earned her BFA in acting at Memorial University. Her acting credits include stints with the Gros Morne Theatre Festival, and Hard Ticket Productions in Newfoundland; Neptune Theatre, The Villain’s Theatre, Us vs. Them Theatre Collective in Nova Scotia; and of course the Watermark, where critics have said of her: “Leah Pritchard is really great at tuning in to the right emotional channel…” (The Rainmaker–The Buzz); “Oscar Wilde could not have hoped for a more expressive face or better comedic instincts than Pritchard’s” (An Ideal Husband–The Buzz).

Leah is a member of the award-winning Xara Choral Theatre Ensemble of Halifax, and sang on their debut album, “Here On These Branches”. She is also a teaching assistant for Neptune Theatre’s youth theatre workshops, and has helped lead Watermark Theatre’s youth Acting Conservatory the past two years. Next month, Leah will be appearing as Bessie in DMV Theatre’s upcoming production of “The Drowning Girls”, at Neptune Theatre.

The Watermark is delighted to have Leah back for the 2016 summer season.