Mr. Coward at the Watermark Theatre

Noel Peirce Coward, whose play “Blithe Spirit” is at the Watermark Theatre all summer, was born on December 16, 1899, receiving his first name because Christmas was just days away. From an early age, Noel was intelligent, temperamental, and an instinctive performer, making his first stage appearances in amateur concerts at age seven. He loved to sing and dance at any excuse and threw frightful tantrums if he was not summoned to perform for guests.

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With his mother’s encouragement, he launched his professional acting career at the age of 12, making his London debut as Prince Mussel in a children’s show called The Goldfish. He appeared in several West End productions, including the “lost boy” Slightly in two West End editions of Peter Pan.

In the early 1900s, England was a very class-conscious society. A boy actor born to poor parents would have been snubbed by the upper classes. However, Coward’s extraordinary determination and charm won him an entree into the chicest circles. His professional and social ambitions were insatiable.

I Leave It To You (1920) was Coward’s first full length play produced in the West End, with Noel playing a leading role – quite an accomplishment for a lad of 21. The brief run brought encouraging reviews, whetting Coward’s appetite for more.

The London production of his play The Young Idea (1923) was a mild success, with Noel playing one of the lead roles. That same year, producer Andre Charlot featured several of Coward’s songs in the hit revue London Calling. While all this was happening, Noel put the finishing touches on a daring drama that would change his career – and his life – forever.

He wrote, directed and starred in The Vortex (1924), a searing look at sexual vanity and drug abuse among the upper classes. When most producers refused to consider such a lurid project, the small Everyman Theatre in suburban London agreed to take it on.
On opening night, the audience was both shocked and fascinated by The Vortex. The combination of fiery acting and scandalous subject matter made The Vortex the talk of London. Other plays had depicted drug abuse, but not among the rich. Demand was such that the production soon moved to a larger West End theatre for an extended run, making Coward a sensation.

With the sudden success of The Vortex, Coward was in demand. Over the two years he starred in the London and New York productions, as well as an American tour. Coward also wrote the hilarious comedy Hay Fever (1925), which triumphed in London, and the hit West End revue On With The Dance (1925). He also turned out Fallen Angels (1925), Easy Virtue (1925), The Queen Was in the Parlour (1926) and The Rat Trap (1926). Most of these plays were at least partially successful, but he was working at a punishing pace.

Coward prospered through the worst of the Great Depression, enjoying a lifestyle most people could only dream about. A dedicated traveler, he went on a series of extended journeys to escape the pressures of show business. During one 1929 stay in Singapore, he finished the first draft of Private Lives (1930), which proved to be a highlight of his career. Coward co-starred with a then unknown Laurence Olivier, playing to packed houses in both London and New York.

Coward then wrote and directed Cavalcade (1931). Acclaimed on the London stage, the film version won the Academy Award for Best Picture in 1933.

In 1942, he turned out a trio of hit plays, including the semi-autobiographical comedy Present Laughter (1942) and the cockney drama This Happy Breed (1942). His biggest wartime hit was Blithe Spirit (1942). The play proved one of Coward’s most popular successes, with character actress Margaret Rutherford winning stardom as the eccentric medium Madame Arcati. She repeated her role in a superb film version three years later.
The years following the war were difficult for Coward. Other than the London revue Sigh No More (1945), most of his new works met with commercial failure. Coward knew instinctively that his writing was better than ever, but it seemed that the public’s tastes had changed.

A 1963 revival of Private Lives took London by storm, sparking renewed interest in Coward’s plays on both sides of the Atlantic. Revivals and TV productions of his works followed and continue to this day.

In January of 1973, Noel visited New York for a gala performance of the off-Broadway revue Oh Coward! He arrived with longtime friend Marlene Dietrich on his arm. Bent with age and illness, he remained the personification of elegance. Friends sensed that he was declining, but no one realized that his would be his last public appearance. In the early morning hours of Monday, March 26, 1973, Noel Coward suffered a stroke at his home in Jamaica.

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Watermark Theatre Announces 2016 Season

The Watermark Theatre’s Artistic Director Robert Tsonos, and General Manager Andrea Surich are proud to announce the 2016 Summer Season.

The season will include the American modern classic The Glass Menagerie by Tennessee Williams, and the Noel Coward comedy Blithe Spirit. A new initiative, The Watermark Play Reading Series, will be presented throughout the month of August, and our popular music series Classic Music Reignited rounds out the programming for the summer.

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The Glass Menagerie became an instant and enduring hit when it appeared on Broadway in 1945, winning the New York Drama Critics’ Circle Award for Best American Play and brought Tennessee Williams, until then an obscure young playwright, to prominence. In a cramped St Louis apartment in 1945 the regrets, hopes and frustrations of an abandoned family are revealed with the truth, humour, and compassion for which Tennessee Williams is renowned. Celebrated as one the greatest plays of the English‐speaking world!

In Blithe Spirit, while researching his new novel, Charles Condomine invites the implausible medium Madame Arcati to his house for a séance. Arcati unwittingly summons the ghost of Charles’ dead wife Elvira who soon makes a play to reclaim her husband, much to the chagrin of Charles’ new wife Ruth. One husband, two feuding wives and a whisper of mischief in the air – Noel Coward at his comedic best!

A Play Reading is as simple as it sounds. Actors, with scripts in hand, using minimal movement on stage, act out plays for an audience. Plays by Arthur Miller, Eugene Ionesco, Lillian Hellman, Eugene O’Neill, Henrik Ibsen, George Bernard Shaw, Dario Fo, Clare Boothe Luce, and Harold Pinter are only a few of the possible playwrights featured in the series. Classic Canadian plays will also be included in this series. Plays by David French, Sharon Pollock, Michel Tremblay, John Murrell, and Judith Thompson.

In addition to the great plays of the English‐speaking world, we will also present play readings in French from the masters of French theatre as well as some French‐Canadian classics. Plays by Moliere, Marivaux, Michel Marc Bouchard, Jean‐Paul Sartre, Jean Cocteau, Jean Racine and Gratien Gélinas, to name a few.

Classic Music Reignited is our popular music series curated by Rob Oakie. Island musical artists interpret classic composers in a way that you have never heard before. Last summer we celebrated the music of Edith Piaf, Joni Mitchell, Neil Young and The Rat Pack trio of Frank Sinatra, Sammy Davis Junior and Dean Martin. Our 2016 lineup will be announced soon.

Season Tickets are now on sale at early bird rates of $99 for 4 tickets and $124 for 6 tickets. For more information please contact Andrea Surich at 902‐963‐3963 or generalmanager@watermarktheatre.com

The Watermark Theatre is at 57 Church Hill Ave in North Rustico, across the street from the Church of Stella Maris.