Brian Burke Film Screenings, Book Launch and ArtTalk
PEI Professional Theatre Network
PEI Professional Theatre Network
A selection of politically-charged mixed media paintings by Canadian and Ojibwe artist Carl Beam.
Born on Manitoulin Island, Ojibwe artist Carl Beam (1943-2005) frequently employed photo-transfer techniques juxtaposed with expressive brushwork in paintings that addressed racial disharmony. A great admirer of Robert Rauschenberg and Andy Warhol, Beam placed the liberatory promise of artistic autonomy embodied in the painterly gesture in tension with a proliferation of media and documentary reproductions that referred directly or indirectly to the history of oppression of Indigenous peoples. This selection of Beam’s work from the Gallery’s permanent collection includes almost two dozen collage-based paintings from the early 2000s donated by Toronto collector Milton Winberg.
-Pan Wendt, Curator
PEI Professional Theatre Network
Predicaments: Brian Burke, a Retrospective Set to Open on October 5
An overview of the career of one of the Island’s most significant visual artists on exhibition at CCAG
A new exhibition opens this week at the Confederation Centre Art Gallery (CCAG) celebrating the work of Brian Burke. The long-awaited two-gallery show will be open to the public on October 6 and officially celebrated—along with three other new exhibitions–at the Fall Art Gala on Friday, October 18 at the CCAG. The exhibition and its associated publication are sponsored by CN100.
The exhibition features over 100 paintings from a career that spanned 35 years. Brian Burke (1952-2017) was one of Prince Edward Island’s most significant visual artists of the past century. Mostly self-taught, although he did study briefly under Eric Fischl at NSCAD, Burke was a painter with a distinct personal style. His works addressed social roles, alienation, and the absurd in darkly humorous figurative images.
“Brian Burke is still a local hero, but he was also someone who dealt with universal themes, and achieved international success,” explains Curator Pan Wendt. “He was a rare artist who both sold his work and achieved critical acclaim, and he was a painter’s painter, instantly recognized by his peers for his original and powerful vision.”
This exhibition sums up Burke’s career, ranging from his rough and direct early work, through his time in New York and his major exhibition Mister Man, to his last decade, when he worked in Luzern, Switzerland, and includes loans from many private and public collections. It is accompanied by a publication that features essays by Wendt; Burke’s spouse, fellow artist Judith Scherer; NYU art history professor Robert Slifkin; and Swiss curator Heinz Stahlhut.
“We are so pleased with the generosity and collaboration of many private and several public collections for lending work to us for this exhibition in particular the Artist’s Estate,” says Gallery Director Kevin Rice.
He continues, “This retrospective of nearly 130 paintings, including many completed in Switzerland and not shown on P.E.I. previously, is really a celebration of an important Canadian artist. We hope we have a fantastic turnout at the opening reception at the Gallery on Friday, October 18 at 7 pm.”
Confederation Centre wishes to acknowledge the Department of Canadian Heritage, the Government of P.E.I., and the City of Charlottetown for their continued support.
PEI Professional Theatre Network
PEI Professional Theatre Network
At the CCAG: Women in Performance & Women in Discussion
Last chance to see popular Island exhibition ‘Who’s Your Mother?’; panel discussion on deck for Mother’s Day
The Confederation Centre Art Gallery (CCAG) is celebrating the final month of the exhibition Who’s Your Mother? Women Artists of P.E.I., 1964 to the Present with a variety of events. These will highlight and compliment the exhibition, which features works from more than 40 Island women artists spanning multiple generations.
The ‘Women in Performance’ Series is the first program and takes place this Saturday, May 4 from 7 to 9 p.m. This event will include the following live performances:
· Donnalee Downe, who is presenting Sit Down with Downe, an interactive durational performance in the Gallery’s Recharge Lounge;
· Sandi Hartling in a durational ambient piece called How many variations does it take?;and,
· Sarah Wendt and Pascal Dufaux in a live performance piece entitled The mountains move while my fingernails grow.
Wendt and Dufaux’s work will include the showing of recent short films made in Newfoundland. The short films are shot in an almost nature documentary style in landscapes of barren rocks and cliff-faces in the strange and fantastical scenery of the Tablelands, in Gros Morne, Newfoundland. Wendt will perform a live DJ set live in reaction to these works. This musical soundtrack will be made up of looping, field recordings, and electronic instruments.
The final event at the CCAG is the ‘Women Artists of P.E.I. Mother’s Day Panel’ on Sunday, May 12 from 2 to 3:30 p.m. in the Gallery:
· Moderated by D’Arcy Wilson, an artist and assistant professor of Visual Arts at Memorial University, this panel will include Mari Basiletti, Sandy Kowalik, and Rilla Marshall—all women featrued in the exhibition. The panel will also feature Jane Ledwell, executive director of the P.E.I. Advisory Council on the Status of Women.
Who’s Your Mother? wraps up at the Gallery on June 2. 2019. For more information, please visit the CCAG Facebook page or theCentre’s website.
PEI Professional Theatre Network
PEI Professional Theatre Network
At the CCAG: Collections Show ‘In the Balance’ Explores Tension of Form and Content
A new exhibition opens next week at the Confederation Centre Art Gallery (CCAG) focusing on the delicate balance in visual art between the material and immaterial. With selections gleaned from the Gallery’s permanent collection, In the Balance explores the tension between form and concept; ideas and matter; making and thinking.
Curated by Pan Wendt, this exhibition opens in the Upper West Gallery at CCAG on Saturday, April 27 and will be on display until the end of the summer, closing September 22, 2019. The works are primarily modern paintings that carry a very material quality.
“There is a long history in Western art of giving priority to design, to the mental picture, to drawing over colour, line over material, spirt over matter,” remarks Wendt. For example, in Renaissance Italy, where so many of our collective ideas about art were first articulated, this manifested as two rival aesthetic approaches to painting—‘disegno’(design or drawing) versus colore (colour).
Continues Wendt, “We tend to think of perception in terms of the spiritual, or a disembodied experience of form, separated from its material basis, but in fact we are led by touch and other non-visual senses. And thought is itself intertwined with the whole body.”
Following the late 1960s, when this prominence of the formal, conceptual, and ‘optical’ were at their critical height, visual artists increasingly began to develop abstract pieces on the basis of a more materially-grounded conception of the work of art. That is, a process where there the idea stage and the material process were granted equal influence in the final product, and the physical process of making was emphasized.
Featured Canadian examples in the exhibition—from 1970s to the present—include works from: Ron Shuebrook, Harold Klunder, Aganetha Dyck, Ingrid Mary Percy, and Lionel Stevenson. For more information, please visit, confederationcentre.com/gallery
PEI Professional Theatre Network