Tag Archives: Peter McBoyle

Did You Hear Did You Hear?

While Anne of Green Gables—The Musical™ is enjoying the first of a three-year revival in the Homburg Theatre, many changes are happening behind the scenes. Following the addition of new leads, sets, and costumes, a sweeping new sound design has been introduced and the harp has been returned to the orchestra for the first time in years.

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When asked to instill a new life into the musical’s score, Festival Music Director Bob Foster went right to the harp, bringing in Janice Lindskoog for a total of 14 orchestra members. “In many ways, the harp is the musical heart of the sound and is a most beautifully written part,” he says. “Just adding it back in has made a huge difference to the sound in the pit and on stage.”

 For her part, Lindskoog is thrilled to return, having played with the Festival from 2005-11, including a tour to Toronto. “Every harpist will bring their own personality and interpretation to the score, which is charming and timeless,” she offers. “I play the imaginative orchestrations by John Fenwick, which contribute special colours and allow for musical expression in the accompaniment of the voice.”

 adaThe musical world has changed a lot since Anne™ first premiered, and so has the listener’s ear. With advanced systems in every home now, a certain quality has become normalized, and a theatre can no longer rely only on its acoustic sound. Foster and Director Adam Brazier brought in Peter McBoyle, a sound design expert of great renown to help with this industry shift.

 “Alongside Kevin MacLean, Head of Audio, and the new advanced equipment at the Centre, we are on our way to bringing the sound of this musical up to date, “ says Foster. “I also give great thanks to the fine musicians in the pit who have helped breathe new life into this national treasure.”

McBoyle desired to present the score in a richer way and bring out the nuances in the strings and the woodwinds. He also wanted to clarify the actors’ mics, so that every lyric would be heard crisply. “I wanted to achieve all of this in a way that sounds natural and that doesn’t call attention to itself,” explains the designer. “Ideally the audience would never know that the sound they are hearing is coming from speakers.”

 One challenge was the large number of hats worn this year. “This can make it tricky to get a good mic position and good sound from the performer,” says McBoyle. “The sound reflects off the hat and makes a great mic sound not as sharp as it could be. Theatre is always a combination of collaboration and compromise though and we found ways to work things out.”

 “Sonically, the funeral procession in Act 2 is something I am most proud of,” he reflects. “The orchestration is really something special and the addition of a little bit of rain and a distant thunder makes it beautiful, sad, and thoughtful all at once.”

 “Of course, adding the live harp back in to the pit was a great decision for a variety of reasons and I’ve developed a mic technique that really makes the harp sound full and dynamic and so, given that it was an important part of the reinvention of this show, I am very happy with how it sounds in the mix.”

 Patrons can hear and see Anne™ in the Homburg Theatre until September 23, 2017. Special thanks are extended to the Government of Canada for their support of Confederation Centre; and The Charlottetown Festival title sponsor, CIBC and production sponsor RE/MAX Charlottetown.  Appreciation is extended to media sponsors Ocean 100, Hot 105.5, CTV, and The Guardian.

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The New Anne Shirley

Whole Lotta Shakin’ Goin’ On

This summer’s mega-concert musical, Million Dollar Quartet is set to open at The Charlottetown Festival at Confederation Centre next week. Sponsored by Tim Horton’s, the most anticipated Island production of the year has been on fire at the box office all year and promises to wow theatregoers when the curtain lifts on June 14.

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 In December 1956, a 20 yr. old Jerry Lee Lewis, 21 yr. old Elvis Presley, 24 yr. old Johnny Cash, and 24 yr. old Carl Perkins stepped into the legendary Sun Record Studios under the direction of Sam Phillips and created an evening of musicianship that, by today’s standards, would have taken months to arrange and negotiate.

 “Imagine what it would have been like to be a fly on the wall and experienced that evening first-hand,” enthuses Director and Choreographer Tracey Flye. “The comradery, the competition, and the opportunity to get a private glimpse into the lives of these young men — out of the spotlight for a few precious hours and able to simply be themselves and revel in each other’s musical talents.”

 That is what Million Dollar Quartet promises — a momentary glimpse into these four extraordinary lives, under ordinary circumstances. Four young musicians unaffected by their public persona for an evening, able to play for the pure joy of playing. “How lucky are we that the producer and architect of that evening, Sam Phillips, had the foresight to make it all happen!? “ exclaims Flye.

 The cast includes Greg Gale (Cash), Matthew Lawrence (Elvis), Jefferson McDonald (Jerry Lee), Ed Murphy (Perkins), Alicia Toner (Dyanne), and Stephen Guy-McGrath (Sam Phillips). Additional accompaniment is provided by Trevor Grant (Fluke, the drummer) and Evan Stewart (Brother Jay Perkins, bass).

 Million Dollar Quartet is musically directed by Bob Foster, with sets and costumes from Corey Sincennes, lighting by Michael Walton, and sound design by Peter McBoyle. The original concept and direction is by Floyd Mutrux, with the book by Colin Escott and Mutrux. Adam Brazier is Artistic Director for The Charlottetown Festival.

 Special thanks are extended to the Government of Canada for their support of Confederation Centre; production sponsor, Tim Horton’s; and The Charlottetown Festival sponsor, CIBC. Appreciation is extended to media sponsors Ocean 100, Hot 105.5, CTV, and The Guardian.