While Anne of Green Gables—The Musical™ is enjoying the first of a three-year revival in the Homburg Theatre, many changes are happening behind the scenes. Following the addition of new leads, sets, and costumes, a sweeping new sound design has been introduced and the harp has been returned to the orchestra for the first time in years.
When asked to instill a new life into the musical’s score, Festival Music Director Bob Foster went right to the harp, bringing in Janice Lindskoog for a total of 14 orchestra members. “In many ways, the harp is the musical heart of the sound and is a most beautifully written part,” he says. “Just adding it back in has made a huge difference to the sound in the pit and on stage.”
For her part, Lindskoog is thrilled to return, having played with the Festival from 2005-11, including a tour to Toronto. “Every harpist will bring their own personality and interpretation to the score, which is charming and timeless,” she offers. “I play the imaginative orchestrations by John Fenwick, which contribute special colours and allow for musical expression in the accompaniment of the voice.”
adaThe musical world has changed a lot since Anne™ first premiered, and so has the listener’s ear. With advanced systems in every home now, a certain quality has become normalized, and a theatre can no longer rely only on its acoustic sound. Foster and Director Adam Brazier brought in Peter McBoyle, a sound design expert of great renown to help with this industry shift.
“Alongside Kevin MacLean, Head of Audio, and the new advanced equipment at the Centre, we are on our way to bringing the sound of this musical up to date, “ says Foster. “I also give great thanks to the fine musicians in the pit who have helped breathe new life into this national treasure.”
McBoyle desired to present the score in a richer way and bring out the nuances in the strings and the woodwinds. He also wanted to clarify the actors’ mics, so that every lyric would be heard crisply. “I wanted to achieve all of this in a way that sounds natural and that doesn’t call attention to itself,” explains the designer. “Ideally the audience would never know that the sound they are hearing is coming from speakers.”
One challenge was the large number of hats worn this year. “This can make it tricky to get a good mic position and good sound from the performer,” says McBoyle. “The sound reflects off the hat and makes a great mic sound not as sharp as it could be. Theatre is always a combination of collaboration and compromise though and we found ways to work things out.”
“Sonically, the funeral procession in Act 2 is something I am most proud of,” he reflects. “The orchestration is really something special and the addition of a little bit of rain and a distant thunder makes it beautiful, sad, and thoughtful all at once.”
“Of course, adding the live harp back in to the pit was a great decision for a variety of reasons and I’ve developed a mic technique that really makes the harp sound full and dynamic and so, given that it was an important part of the reinvention of this show, I am very happy with how it sounds in the mix.”
Patrons can hear and see Anne™ in the Homburg Theatre until September 23, 2017. Special thanks are extended to the Government of Canada for their support of Confederation Centre; and The Charlottetown Festival title sponsor, CIBC and production sponsor RE/MAX Charlottetown. Appreciation is extended to media sponsors Ocean 100, Hot 105.5, CTV, and The Guardian.
“Princess & The Pea”
BY REBECCA L. BYARS AND LANE RIOSLEY
presented by Watermark Theatre, North Rustico P.E.I.
4 Shows Only
Thursday August 10th at 10:30AM
Saturday August 12th at 10:30AM
Thursday August 17th at 10:30AM
Saturday August 19th at 10:30AM
“The Cat’s Pajamas Theatre Co. is back at The Watermark with another classic story to tell! The Princess and the Pea is an adaptation of the classic tale in which a young Prince searches far and wide for true love, regardless of his mother, The Queen’s dissatisfaction. This tale is sure to make you giggle as we explore themes of acceptance, true love, and the importance of a good night’s rest!
Directed by Suzanne Wilkie & Becca Griffin
Starring Robyn Vienot, Becca Griffin, Brielle Ansems, Carly Billings
Tickets only $10 (+hst and service charge)
Call 902-963-3963 or go to http://www.ticketwizard.ca
Watermark Theatre, 57 Church Hill Ave., North Rustico, PE
Becca Griffin, leader of The Cat’s PJs, is a local entertainer who loves to laugh and play music! You may remember seeing her as the Old Farm Cat or the Mother Duck in last year’s production of “The Ugly Duckling!” Becca loves to practice playing her new ukulele (Marilyn), and singing for strangers on the street.
Brielle Ansems is a local singer-songwriter who loves to connect with people through music and theatre. She’s very excited to be heading to Holland College’s School of Performing Arts Theatre Program this fall to further explore the wonderful world of making people feel things.
Robyn Veinot is an island girl who loves music and theatre! She also loves spending most of her time with her niece and nephew. You may remember seeing her in The Cat’s Pajamas production of A Hurried History by the Loonies that Live Here! or in the Confederation Centre’s Christmas productions of Robin Hood and Aladdin.
The Lord Chamberlain’s Examiner declared Mrs. Warren’s Profession “immoral and otherwise improper for the stage” in 1893. It was banned in England.
This summer it is in repertory at the Watermark Theatre in North Rustico.
“Director Robert Tsonos shows such finesse in bringing this play to life that it is likely the most satisfying piece of theatre I’ve seen on Prince Edward Island.
Colm Magner, The Guardian
Why Support the Victoria Playhouse?
The Victoria Playhouse, housed in the historic Victoria Community Hall, has produced 35 professional Festival Seasons, and is firmly established as a treasured Island tradition.
As a not for profit organization we rely upon the support of individuals, businesses and public funders to help us present the annual Playhouse Festival. Your donation will help ensure the historic theatre in the tiny community of Victoria by the Sea continues to thrive. Thank you.